#accepting who you are as a writer is self love for writers

[firestarter91]

I love the way he tenderly strokes his finger down the sword hilt, it's like one final touch of being close to Arthur before he says goodbye and it always makes me want to cry every time. Colin is so good here and the music is stunning, I love the crescendo when he throws the sword, it’s so emotive and powerful. Music link here to this moment about 14.00.

This is such a painful moment, probably the most heartbreaking on the show, even more so than Arthur's death scene because of what this action symbolises.

Merlin has been here before but this is for the last time, he’s saying goodbye to Arthur and having to literally throw everything he’s worked so hard for and sacrified into the lake and walk away.

Also, to make matters even more tragic, he’s still just a servant and the only people who do know what he truly did at Camlann are Gaius and probably Gwen. He’s lost Arthur, he’s lost most of his friends (at least the ones closest to him like Lancelot, Will and Gwaine) and he’s not even been able to show his true self to the world and magic is still not accepted in Camelot. He's failed in just about every conceivable way, I usually dislike using the word gutwrenching to describe something but it really is... poor poor Merlin.

I wish they had ended the show before we get to Camlann because seeing Merlin here like this doesn’t feel right, the last few seasons felt a waste of time and sullied in part what had gone before because you end up thinking what a waste!

The show became increasingly dark and serious, a far cry from the upbeat and joyous start, they gave us time jumps of all the good stuff, fast forwarded through what I presume was Arthur's golden years, served up one note villains and as a final insult refused to reveal Merlin's magic until the last moment.

I agree with a fan who suggested that we should have ended it with Arthur taking the sword out of the stone, this was one moment I will give a salute to the writers for because they really did this beautifully and once again the music is wonderful and really makes the moment. It's a HUGE DEAL one of the the pivotal moments most people remember when they think about these tales.

They should have left it with Arthur being proclamed king in season 4 and then this finale is the FINAL one with Arthur returning to reclaim his crown and Gwen is finally crowned Queen of Camelot because this was the journey we were promised, "the before they were famous" "idea which they took from Smallville.

If they were going to end it at the lake like this, then this moment with Merlin should have been when they rolled the credits and not stuck that wretched modern day scene in which simply poured a whole bucket of salt into an already gaping wound for the fans. Merlin not only left alone at the lake but lonely and depressed in the modern day too. Thank you writers! 😤

Although one good thing that came out of this awfulness was that the Merlin fandom took up the cudgels, determined to write a better ending for our two beloved boys and it’s been a feast of creativity ever since which has powered the Merthur ship and the fandom since that awful Christmas Day. Praise be!

[includedisco]

Whether you're a slow or a (too) fast fanfiction writer...

Going forward, let go of the ill feelings you have about the pace at which you write. Remember that your beautiful works are a product of your pace.

As fanfic writers, we're too hard on ourselves. If you really think about it, we're our own biggest critics. No one is really complaining about your pace but yourself. I understand the excitement to share a work right away and not being able to write it fast enough; or writing too fast and regretting not having taken more time to flesh the story out.

Truth is you can't change your writing process. You'll feel better when you accept it and just do your best. Beating yourself about it only makes the pain worse.

Note for slow writers: If you have readers complaining about your pace, they're not real fans of your work. Just as fans wait patiently for years for their beloved music artist to release an album, your fans can wait for your updates.

Note for (too) fast writers: It's YOUR story, so you can go back and make adjustments even if it's already posted. Alternatively you can rewrite a longer, more detailed version of the exact same story. I have done that. It's not shameful or weird. I even explained to my readers that a different version was available for them to go read. Both versions got love.

[parkitaco]

i had to go look up what you're talking about lmao but like the anon was obviously a mean spirited asshole but you straight up asked people to tell you their opinion on your steve voice....

yk what anon i see where ur coming from but i also said be nice. and that's a real fucking easy thing to do. so you can fuck off too <3

[foxmulderautism]

i went through a magazines archive of (monthly) issues this year -- common hobby of mine -- and the same writer was in at least 5 issues and i'm just like....sorry that is weird to me! not the being published by the same mag multiple times part but to be in nearly half of a magazine's year of issues is so??? do you as an editor not want some variety in the people you publish lol

[long-live-astronerd-ghost-king]

DPXDC prompt: Spiritual Siblings

Bruce: My assassin kid can't be that normal!

Damian: Well, I’m completely emotionally stable by Amity Park standards. The problem is with you. Obviously.

~~~~~

Damian had long found peace and home in Amity, so he did not worry that the new family and Gotham might not accept him.

Sure, Al Ghul had lived without any contact with his biological father all these years but he could safely say that he had a happy childhood. First years were hard and he was raised more as a weapon than a human being. Even so, after that a ghost who decided to become his brother appeared and everything changed.

Damian still does not know what Ra's owes Phantom but Danny has a right to take him, without prior notification, to live with Fentons, to visit Aunt Alicia at her farm, and to make Vlad’s weekends much less calm and boring. Danny jokes that he just steals him as a hostage when Al Ghul does not pay taxes for using Lazarus Pits. Whatever the reason, he already has a family that loves him.

However, he still wanted to make an effort to fit in this one too. The model of conduct certainly was his older brother. No, not the oldest, of course. To be honest Dan wasn’t the kind of a man that could charm you from the first minute. But Danny, in Damian’s experience, had a calming effect on people. So he tried to act like him.

And, yeah, for lack of experience, he was more fun!Danny at home and super!Danny on patrol but he also really tried not to get any of his own assassin personality in his new-self and was tired of it. He couldn’t get a 100% match. Fine. Still doesn’t look like anyone in this house really likes him, so whatever.

Damian understood why Bruce didn't like his company. Jazz had long ago explained to him the importance of voluntary consent. His mother did a terrible thing. Al Ghul was not a child and therefore he was ready to admit it. However, he also understood that children were not responsible for the actions of their parents.

As a biosocial being, he wanted to be more than just a painful reminder of what had happened to Bruce. Wayne's ignoring of his existence was rude. But Damian wouldn't force this man to spend time with him just because he was legally obligated to take care of his well-being. He wasn't going to prove anything to Batman, and he definitely didn't need his attention. The care of his real family is enough.

But Damian really tried to get along with new potential siblings. He even shared Sam's and Danny’s special jokes with some of adopted kids 'cause he didn’t want them to feel like he put himself above them. He wasn't good at showing emotions but he was as open as the assassin could afford to be to strangers.

But they all obviously expected something from him. And it reminded him of the League in an unpleasant way. It was easier with Fentons. Almost everyone in Amity Park was saying what they thought, and Damian didn’t have to waste time decoding potential conspiracies.

Damian missed movie marathon nights with Sam, Tucker, and Danny. And he hoped Dani had time to bother Vlad in his absence.

It was so weird here. When Danny and Valerie were fighting, they would gather at the dinner table anyway. When Damian wanted to have combat training with Drake here, he was forced to stay in his room. A very strange punishment. And undeserved one too.

Al Ghul felt quite calm and fine sitting at his easel and painting the people he left behind. An unusual subject for his paintings. But, Ancients, he missed Amity.

He missed Jack's bone breaking hugs, Maddie's Ecto-Contaminated food, arguments of Sam and Tucker, cozy art class with Mr. Baxter and even Vlad's done look. He missed Danny telling him about the stars. He also missed sword practice with Dan's boyfriend Fright Knight and he missed Dan's stories about his other youth. He missed literary evenings with Mr. Lancer, Clockwork and Ghost Writer. He even missed the hours-long Jazz lectures. He missed the dance of death and life. He missed being looked at without expecting anything from him. He missed the crowd. In the league, he was never at one with himself and in Amity he was always surrounded by people who were not afraid of his fate as the heir to the said League. This Manor was full of people, but for the first time in his life he felt lonely. Damian has to admit that he felt left behind. Of course, he understood that people needed time to build relationships, but he could have sworn that even he didn't need that much time to connect with Fentons. Maybe this is one of the tricks of the Clockwork? Then this one is not funny at all.

~~~~~Phone call~~~~ Damian: Mom, I want to go home. Maddie: I'm so sorry to hear that, sweetheart. What happened? Damian: Just…Nobody likes me. Why was I sent here? I'm not weak. And my brothers are quite capable of protecting me from Raas. I don't need Batman for this. Maddie: We'll figure it out, champ. Moms love you, remember? I'll talk to Talia, okay? Your brothers and sisters are already on edge and ready to steal you right during the patrol. Damian: It would be nice, but it would put a bat on their tails. So lock them in thermoses if they bother you too much. Maddie: But that won't stop Jazz. Damian: I missed the part where that's my problem. Maddie: Well, it will be your problem if she comes to your doorstep with your childhood photos and moralizing.

~~~~~~~~

It's his birthday. And he was always excited about it. But now, looking at the pile of gifts, he realizes that these people don't know him at all.

And this is the family of the best detective in the world? Maybe yes, but none of them bothered to really find info about him or ask him about his likes. Damian's a stranger here, and that's obvious.

The lunch container, which he will obviously give to the Boxing Lunch when he's in the right time interval, tennis rackets that Youngblood might like, The Graveyard Book…

Valerie had already read it to him and Dani before it was published. Thanks to Clockwork for his little miracles. The book reminded him of home.

Obviously this one is from Jason. And well, Damian doesn't think it was a pun on his life in Amity, more like Hood's inside joke about death but Dami will definitely leave this thing in the room at the Manor and maybe take it with him to the GZ or Amity Park.

~~~~~~~

When they gather at the festive table, Damian realizes that he has to make some kind of speech. He tries to be as brief as possible in his report.

Damian: Todd, your gift is appreciated. And I found a potential use for items that were given by others, Bruce.

Damian never called Batman his father. With Maddie and Talia, calling both moms wasn't weird, especially when Jazz explained to his biological mom that he wasn't trying to replace her. But with Wayne, it was different. Both women took care of him, they deserved this title. Wayne provided for his needs, but his core heart didn't feel like they were close. Surely there's nothing wrong if they're just Bruce and Damian? Obviously, they both don't enjoy each other's company.

Jason: So, do you like books, little demon? Damian: Sometimes reading is quite relaxing, I should point out. I'm not indifferent to Stephen King and Lovecraft. Jason: Personal recommendations? Damian: Cujo is one of my favorites. Jason: Not a common opinion, huh. Damian: It reminds me of my family. Damian tries to smile like Danny does, but Jason's twitching eye clearly indicates that he screwed it up.

~~~~Dick and Jason synchronously drop their forks as an excuse for a conference under the table.~~~~ Dick*whispers*: How's the situation? Jason*whispers back*: If the boy asks for a dog, don't be fooled. He will be happy to dance on our graves.

~~~~Cass knocks over their heads, urging them to return to their seats.~~~~

Damian: So how good you are at fading and sliding,Todd? Jason: Why did you ask? I can't, of course. Damian: Because you're dead. It seemed to me that this was a completely understandable interest. Jason: Wow, what a jerk. Damian: I wonder why your own incompetence makes me a jerk? Even my sister could do this when she wasn't dead for even a month.

Jason, for some reason, looks awkward, although he has never been embarrassed before by the idea that a girl could be stronger than him.

Jason: Your sister? How old was she when... So it's all about age. Damian rolls his eyes.

Damian: We're the same age. It seems like it was four or five years ago. To be honest, I don't remember. I wasn't around then. I'll ask Danielle the next time I go to the cemetery to visit her. Dick: I'm so sorry, Dami. Where is she buried? We can take you. Damian: There's no need. She has no grave, as there was nothing to bury. Bruce sighs loudly and covers his eyes with his hands. Damian: It's just easier to contact the afterlife in places like this, you now? Duke: We are very sorry, dude. Damian: Don't be. People come and go, and then come back if they haven't finished annoying you. There's no point in regretting the past. Her creation was not the most ethical thing but everything is going as it should. At least that's what Grandpa says. Considering that the old man is older than time, I prefer to believe him. No one plays with fate without his permission unless they want to get hit by the clock. Tim now looks like he's going to throw up and Damian hurries to move his plate closer to him. Jason: Yes, Bruce, this is definitely your son. Damian: Did I say something wrong? Dick smiles faintly at him but still doesn't find anything to say. Damian shrugs and goes back to eating asparagus. People outside of Amity are so weird.

Signal looks at Damian suspiciously as he carefully rearranges the plate of soy sausages away from himself. Did he take him for an idiot? Everyone knows that even vegetarian sausage bite and fight no worse than those with meat when they come back to life. It's not Damian's fault that he doesn't have an ectoblast with him and wants to have extra distance from the opponent.

~~~At the same time, in the walls of Wayne Manor~~~ Dani: The operation codenamed "Get Haunted Idiot" is declared open. Danny and Dan *salute*.

~~~Several Days Later~~~

Damian: So, this is Dan. Danny says we keep him as a GIW repeller. Dick: And Danny and Dan are.. Jazz: His brothers. I'm Jazz by the way. Elle and I are his sisters. Damian: I feat the criteria to participate in their name cult, so they took me. Dan, Danny, Dani and Dami. Dan *ruffles Damian's hair* : I prefer to call this biting threat Damn, to be honest. Dami: Shut up, DaNtE, they almost wrote Dark in your passport, you idiot. I can't believe I thought I missed you. Danny: Wow. Rude. Your grandpa would be disappointed. Great job, lil one.

~~~Several years later~~~

[gghostwriter]

A Series of Happenstance

Spencer Reid x House!Daughter!Reader

Summary: The three times Spencer loathed to see you and the one time he pleaded to Trope:Angst; think post Tobias Spencer Reid w.c: 5.2k Disclaimer: I am no way a medical personnel, least of all a psychiatrist so there will be medical inaccuracies A/N: this is part one of my house!daughter series and it’s angst, babes. Spencer is just mean and lashing out here which is totally understandable. It also took a while since writing such heavy pieces of fiction takes a toll on me but I hope, especially to the ones who were excited for this series, love it still. Comments and reblogs are greatly appreciated! 💗 masterlist

The first meeting

Spencer didn’t want to be here—here being in this cream colored, four cornered room, facing off the ultimate nemesis of profiler. Not an unsolvable case, not an unsub, but rather a psychiatrist contracted by the FBI for psych evaluation. 

He was fine, he insisted to Hotch. He can compartmentalize well, he rationalized to Gideon. He just needed rest and the comfort of his own bed, he stated to the whole team. But protocols were protocols and his unit chief was a stickler to rules especially when it involved the care for his team. 

That was how he found himself on a Tuesday afternoon, sitting in silence and watching the ticking of the clock as if it was the most interesting piece of art there was. 

The tension was stifling. Spencer could almost see it tainting his vision red. Biting the insides of his cheek, he wanted to keep everything in. 

No, he needed to. 

He knew he was being rude, petulant even but for once, he didn’t have it in him to care. He didn’t know you. You were a complete stranger being paid by the government to report back any findings that could keep him out of the field. It wasn’t fair. You were just accepting the call of duty but you bore the brunt of his ire and hostile gaze. 

In the normal setting, he would have found you intriguing. Your office colored in taupe—cold, distant, and linked to the desire to escape from the world but in the farthest side of the room was a shelf littered with books and small knick knacks that seemed to be collected over the years rather than curated to match the professional setting. The books ranged from published psychology dissertations, medical teaching materials, and collections of essays from well-revered and obscure writers. 

You were dressed in black and white, standard for your importance, but your nails were painted in a pale pink color—close to looking natural but not quite. And lastly, your looks. 

You were beautiful, don’t get him wrong, he may not have the same experiences as Morgan did with the opposite sex but he knows a beautiful attractive woman when he sees one. No, it wasn’t that, it was how young you looked—almost or maybe even sharing the same age as him. 

A genius, then.

A prodigy in your own field just like him. 

“Doctor Reid,” the low timber of your voice bringing him out of his musings. It sent a shiver down his spine when he first heard you speak. A reaction that he catalogued in his mind as a mystery to be revisited later on. 

He subtly tilted his head to the side, an indication that you had his attention albeit reluctantly.

“Anything you say in this room is strictly confidential,” you gestured with your hand. “No file or notes will be passed to your unit chief or any personnels of the brass. I promise you.”

He scoffed, breaking his vow of silence. “That’s not a hundred percent true, Doctor. Lying to get your patient to talk can only get you so far.”

“I understand where you’re coming from but all I submit to the FBI is my conclusion if you’re fit to go back to work or not, patient-confidentiality still stands—” your delicate fingers feebly holding your pen. “Now, I sensed a little resentment. Is it coming from your self-loathing about having to choose a victim for Tobias Hankel or is it your displaced anger from separating with your team liaison, Agent Jareau?” 

He glared at you. How dare you imply the seething anger from within him is directed at anyone but himself. “What? No, no, no. I’m not angry at anything or anyone! Maybe at you and this whole evaluation but never at JJ or—” he cut himself off.

“The suspect,” you continued on for him, jotting down notes on your black leather journal.

“The unsub. Unknown subject.” He corrected, second nature of him to do so. “We call them the unsub.”

You nodded, a lock of hair falling away from your bun. A distracting motion that momentarily rendered him speechless. “Alright. Are you angry at yourself and your decision to separate with Agent Jareau during the case?”

He scoffed but opted to stay silent. Spencer had already given too much of his emotion away by answering the earlier questions. 

For any regular citizen, it may seem like the opposite but given the sound of you scribbling away on the pages of the notebook, you beg to differ.

You crossed your pant covered leg and stared into his eyes, a maneuver that could mean two things: 1) you were sizing him up, which was highly unlikely given the dynamics, regardless of his hostility or 2) you were trying to connect with him, a move backed by science that stated eye contact releases oxytocin—a bonding hormone. 

A study he didn’t want to prove right at the moment.

“Do you perhaps feel remorse for the unsub?”

His left eye twitched. “Tobias Hankel.”

“Is there a reason behind why you’d prefer to call the unsub by name?” You further asked, having found a sore subject to poke and prod to elicit a reaction.

The answer was yes, of course. Tobias was just a victim as much as he, Spencer Reid, was—the unsub, in his eyes, was a victim of bad fate that resulted in fracturing his psyche but a shrink didn’t need to know that. 

To be exact, the FBI didn’t need to know that he, an active and upstanding agent, felt remorse and guilt for not being able to save Tobias. Human emotion rarely had a place in bureaucracy and paperwork.

“How old are you?” Spencer nonchalantly inquired to throw you off his trail. “You look too young to be a Doctor contracted by the brass.”

You scribbled something again in your notebook before answering in a monotone voice as if your reply has been well rehearsed. “24, about to turn 25 and yes, I do look young. I graduated early due to my intelligence which I believe is the same case for you, Doctor—” you clasped your hands in front of you, leaning slightly forward. “—which brings us back to the topic, the anger inside of you, who is it directed to?”

His eyes shifted to the clock—5pm. 

A small smile graced his face. The time was up.

“Well, I believe we’re done here, Doctor—” he proceeded to stand up, picking on an imaginary lint as he did so. “—I would say it’s been nice meeting you but that would be a lie you’d no doubt catch and analyze.”

Your lips pressed thinly together, imitating a smile but Spencer knew that move quite well—you were reining in any unsolicited and possibly inappropriate comment regarding his snappy behavior. 

A small chuckle escaped his lips. If he, a profiler, considered you, a psychiatrist, his number one nemesis, there was no doubt you consider him the same. 

As he was about to step out of the office, your slender fingers brandished a calling card.

“Here’s my number—” he gingerly took it as if it contained some unknown pathogen. “—and my door is always open when you’re ready to talk, Doctor Reid.”

He nodded once, a goodbye. “Doctor House.”

There was little doubt in Spencer’s mind that he’d never willingly stop by your office again but if he had been paying attention to your subtle patronizing words of farewell, he would have picked up that this encounter was far from over. 

Especially when he found out on a busy Tuesday morning from Hotch that you had deemed him unfit to return back to the field—effectively barring him from the jet on its way to Idaho. 

The second meeting

There was a series of rapid knocks on your office door. 

As a psychiatrist with your own practice, it was highly unusual for clients to suddenly show up with no prior appointments or even a customary phone call. 

It was a Tuesday morning and like clockwork, you’ve allotted the first half of the day in catching up with paperwork dealing with your office and evaluations for the FBI. 

That gave you a pause, remembering a snipping agent who you deemed unfit for duty. Dr. Spencer Reid. The genius profiler who joined the ranks at the tender age of 22. A prodigy in his old field, just like you.

He was closed off, simmering with rage almost, and there was little doubt in your mind that he was the one behind the door, ceaselessly knocking. After all, when you sent in your evaluation directly to his unit chief, the stoic man’s face twitched with concern and maybe a little bit of annoyance in the paperwork it would entail.

“Come in,” you called out, hands clasping together on top of your desk. A perfect picture of professionalism.

The door swung open, revealing a tightly wounded Dr. Spencer Reid. 

With a thick cardigan adorning on his body and a leather satchel draped over his shoulders to his front, he looked normal. But you knew better, his choice of outerwear represented a security blanket in the middle of September and his placement of satchel acted as a shield and its’ straps a stress ball. With just that one look you knew he wasn’t ready to back with his team. 

“Dr. Reid, what can I do for you?” You asked, hand unclasping and indicating to the seat in front of you. “Please sit.” 

Closing the door behind him, he shuffled closer to your desk but made no indication to sit down. “I’d rather stand, Dr. House, and I think you know why I’m here.”

A show of dominance. Right away, he wanted control the outcome of this conversation to his favor. It was textbook psychology, a taunt you wanted no part of.

A slight smile appeared on your face, one that could be translated as friendly for those open and condescending for those closed off. “I believe I don’t follow.” 

“My evaluation, you made a mistake,” the left corner of his mouth lifting for a smirk. There was a vein visible on his temple, his anger and will to bottle it up manifesting physically. 

You tilted your head to the side, unwavering in your gaze, hands clasped and index fingers tapping together. The pause and silence was a standard tactic to get a patient to break, similar to what law enforcement uses with suspects but results may vary especially when used on a seasoned profiler.

Right away, Spencer understood your tactic. “That won’t work. We use that in every case, I know the standard—” he looked around the room. “—should I lower the temperature too?” 

You answered with silence. The agent in front of you now was no longer thinking clearly. His objective mind that would deem him fit to return for duty clouded with emotion, anger and something else. 

His right hand touched above his left wrist. A subconscious move provoked by your unrelenting gaze. A move that gave away an important piece of information that his unit chief no doubt omitted in the reports.

Ah.

Tobias Hankel was a drug addict.

And in turn has subjected the agent in front of you to his vices.

You sighed. Suddenly the case no longer felt black and white, it was treading close to home as you remembered your father who’s abusing Vicodin in lieu of his leg pain. It was a sore spot for you—a clink in your armor. 

“Sit, please,” you indicated to the chair in front of you again.

Spencer complied this time, having heard a change in your tone. 

“Dr Reid,” you started. “I believe my evaluation of you is still correct—”

He opened his mouth to argue.

“—but, please let me finish, perhaps we can compromise. As a psychiatrist, it’s not in my practice to give in to my client’s demands but as you are not a regular client, I believe it would be beneficial for the both of us to reach an understanding.”

You walked towards the locked cabinet to your right. It was where you kept all medical equipments—including medicine for patients. Reaching back to the depths of the lower shelf, your hand brought out a non-descriptive black pouch from its hiding. You sat beside Spencer, effectively communicating that you are both on the same level.

“I will approve your return for duty as long as you come back for a couple of sessions, not FBI contracted, strictly confidential, and you—” handing him the zipped pouch before continuing on. “—get drug tested.”

Spencer narrowed his eyes. Perhaps he knew that his unit chief and mentor kept the delicate nature of his case out of the bureau and wondered how you pieced everything together. He underestimated you, you realized. A mistake on his end. 

“I’m a psychiatrist, I know the signs Dr. Reid, and besides, I’m a genius just like you,” you adjusted your posture, slightly leaning back. 

Check. 

He smiled, one that you could say no longer contained malice. It was instead filled with resignation and relief. “You’re right. I underestimated you, Dr. House.”

Standing up, you dusted imaginary lint from your black pencil skirt before extending your hand out for a handshake. 

He hesitated before reaching over shaking it once. His hands were rough and calloused from frequent holding of his gun but felt oddly warm and soothing. It represented who he was in your eyes—prickly and rough around the edges but soft and good on the inside.

As he exited your office with a soft thud of the door behind him, you admitted to yourself that you took a huge gamble. Rather than a checkmate, all you did was check his king. You didn’t ask if he had built his own stash of drugs after the case was finished. It was a risk you were willing to take just to take a step closer in getting the agent to trust you. Baby steps were better than nothing. You could work with that.

There was still the drug test you could rely on. A black and white piece of paper that would tell the truth if done at the right time. After all, the most important teaching your father, the older Dr. House, has imparted on you was—

Everybody lies.

The third meeting

The bar at the corner Main Street on a Friday night was a rare place for you to be. The echoes of its pulsing music could be heard a couple of shops away, luring bodies than the space could ever handle like it were Pied Piper and the people—by extension, you, were the unsuspecting kids. The lights were colored orange, giving the area a tint of good times and bad decisions. The aged brick walls discolored in a multitude of shades and the decorative posters were aimlessly nailed to the wall. There was a section far from the bar that was filled with moving bodies—people letting loose and exhibiting what you’d call a mating dance for anyone interested and beside the bar were two dart boards, popular with the crowd, but had seen better days. 

This wasn’t your usual scene as you excused your way to the bar tucked at the center space. It wasn’t due to snobbery, like what your friend Kyle once joked, it was preference.

The sticky floor beneath your sensible nude heels had you wishing that your feet were tucked in a soft blanket with mind numbing television playing in the background instead of navigating the throng of people holding their drink of choice and inhaling the musky scent of liquor and sweat.

“Haven’t seen you around here,” a tenor voice flirted from beside you.

Your eyebrow raised as you took in the source—a burly African-American with a buzzcut. There was something distinct about him that set him apart from the rest. It wasn’t his built or the way his grey shirt stretched to fit around his biceps. It also wasn’t the twinkle in his eye as he tried to entice you to flirt back. One of his hands drifted down to his waist and with his wide leg stance, you knew.

A cop. An off duty law enforcement officer.

You laughed. “Does that line usually work on women, especially from—” you paused for suspense. ”—a cop?”

“Okay,” the stranger chuckled. “Close, want to try again?”

A smile stretched your glossed pink lips. You were never one to back away from a challenge—it was one of the traits you inherited from the other Dr House.

“Well, if we’re basing it on where the bar is located nearby and my fifty percent guess from a while ago, I’d say you were a cop—maybe for a couple of years, before joining the FBI. Maybe counter terrorism—” the memory of Dr. Reid talking about his team found its way to the forefront of your mind. “—or by any chance, the BAU?”

He could no longer hide the surprise from his face. “Right, that’s right. What gave it away? Was it my ruggedly handsome looks or are you just a mind reader?”

You thanked the bartender before trying to find your way out of the surge of people behind you, clamoring to place their order. The stranger stretched out his muscular arms, guiding you away from the bar towards his booth.

“Just a mind reader,” you simplified—an action that came as second nature to you. In the past, when you would disclose your job as a psychiatrist, people would react in two ways. One, they’d get subconscious that you’d read into every body language they’d have, causing them to shy away or two, they’d become over-zealous and ask you to diagnose them all in good fun like it was some sort of magician’s trick.

A mop of light brown curly hair parked beside a long blonde hair caught your periphery. He had his back turned but it was a presence you’ve slowly started getting familiar with. It was Dr. Spencer Reid, out in the natural setting, a first.

Your eyes slowly widened as you realized where he was guiding you and who he might be. 

“Huh,” you uttered under your breath before flashing a smile to the stranger beside you. “Are you by any chance, Derek Morgan?”

“Okay, now you’re starting to freak me out. How’d you do that, Ms. Mind Reader?”

A different timber of voice answered. “It’s because I told her—” a pair of hazel eyes turned to you, filled with accusation. “—Dr. House. Are you keeping tabs on me?” 

“Dr. Reid, I didn’t think I’d see you here.”

He scoffed. “In a bar? Near my office? The statistics on seeing me here is actually surprisingly high.”

He was hostile, understandably so as here you were, a stranger, who knows his deepest, darkest secret mixing in with the otherwise innocent parties of his personal life. It was no harm, caused no click in your armor—he’d been cooperative as of the late within the confines of your office but seeing you beyond the four corners of your taupe walls threw him off the loop.

“I’m so sorry, I don’t think I caught your name,” the blonde woman beside Spencer, flashed you a smile, hand stretching out for a handshake. “I’m Jennifer Jareau, but you can call me JJ.”

You shook her hand. “Ah, it’s great to meet you, Agent Jareau.” 

“So, how do you know Spence?”

You smiled, unsure on how to disclose your psychiatrist-patient relationship with someone he works with. You didn’t know how much his team members knew about his scheduled Saturday meetings with you or if they even knew at all what Dr. Reid was going through.

From the past appointments, you’ve categorized the agent as an anxious avoidant type—something geniuses who grew up in a non-secure household tend to share. Yourself, included.

Your eyes glanced at Spencer before drifting towards the table behind him, subtly trying to figure out his choice of drink. You hoped it was non-alcoholic. He’d be suffering from withdrawals and if he clung to a substitute vice, you’d have to find a roundabout way to tackle the issue without pushing him to close off again. You didn’t need that, he was just starting to open up after all, plus if he stopped cooperating, you’d have no choice but to bring it up to his supervisors, jeopardizing his career. 

A clear glass came into view as he shuffled his weight from one foot to the other.

Water. It was water.

You breathed a sigh of relief before slowly panning up, locking eyes with Dr. Reid. His gaze narrowed, having understood what you were checking on.

Checkmate.

“She’s FBI’s contracted psychiatrist,” he explained, jaw tight from anger. 

You flashed him a little smile before averting your eyes in chagrin.

“I hope you don’t mind me saying this, but you look a little to young to be a licensed doctor,” Agent Jareau observed. 

“I graduated early.”

Morgan’s left hand pats your back while the other pats Dr. Reid’s. “Another genius, then. You’d get along great with our pretty boy over here. He’s always going on and on about facts and statistics—��

“No offense Morgan, but I don’t think we’d get along at all,” Spencer sneered. “I’d rather not get to know someone who has an ulterior motive.”

Your hand tightened around your glass. “It’s great to meet you, Agent Jareau and Agent Morgan but I think my friends would be looking for me,” you flashed the young agent a dejected smile. “Dr. Reid, hope to see you again soon.”

“I don’t,” he sardonically replied.

You nodded once before turning back to where you friends would be, settled in the four seater booth, unaware that you may have just burned the rocky bridge you’ve built with a patient in need. 

The fourth meeting

A warbled hum roused you from slumber. 

With one eye straining to stay open, the digital clock on your dresser displayed 12:21. Midnight—the time for humans to all be in stupor but based on the humming, subdued underneath your pillow, there was one exception.

You sat up, blindly reaching for the phone. There was no programmed name for the number and right away, an eerie feeling started swirling in your gut. This was no social call. A call this hour could only be one thing, an emergency.

“Hello. Who is this?” Your voice still rough from sleep.

No answer. 

You pressed the phone closer to your ear, hard enough to possibly leave a mark. There were light rustles on the other end that indicated a presence, a person that wouldn’t or couldn’t answer your inquiry.

“Hello,” you tried again, voice raising at the end from tension. “Is anyone there?”

There was silence. The dread in your stomach further worsening as if group of bats decided to wreak havoc in its dark crevices. There was no indication that this was a prank call and there was also no indication that it wasn’t. 

You bit your lip, torn between hanging up and waiting for an existence to make itself known. It could be nothing or it could be—your train of thought suddenly taking a sharp left turn to the corner that a certain FBI agent unknowingly occupies. You had given him your number, having scrawled it at the back of your calling card during the very first meeting, purely out of the goodness of trying to put back the broken genius that graced and intrigued your doors.

“Dr. Spencer Reid?” You hesitantly asked, hoping that your intuition was wrong. That this wasn’t the agent calling for help.

A deep groan answered.

“Oh gods,” you breathed out. “Okay, okay. Just—shit, just stay on the line. I’m coming, I swear. Just—fuck.” Your feet scrambled out of the apartment, never mind the lights or the chill that the midnight had cloaked the air with.

It was your worst nightmare. You knew what this call was, you knew his state on the other side of the phone by experience.

Hands trembling as you started the ignition of your car and speedily backing up the parking lot and out the streets in little time. 

“Spencer,” formality be damned at this point as you turned a sharp right, your GPS indicating 8 minutes away from destination. “Spencer, are you still there?” 

A light rustle replied. 

“I’m almost there, hang on for me, okay,” your hand letting go of the steering wheel to push the tousled hair away from your face.

Each second felt like an eternity, each time passed threatened to push your mind into the fog of panic and memory of your very own father taking a whole bottle of Oxycodone and leaving a message for you and your grandmother. The panic, the fear, and the dread of that very moment had come back in two folds.

Your clammy fingers leaving pinch marks on the back of your palm. “Not now, not now,” you whispered to yourself. “I can’t have an attack now, keep it together.” 

“Dr. House,” Spencer gravely slurred.

You haphazardly parked the car at the nearest available sidewalk space, uncaring if by some miracle you get ticketed. “I’m here, Spencer. I’m here.”

There was a groan as you hurriedly ran up the apartment stairs, grateful that the security below was surprisingly lax.

Third floor, get to the third floor. I need to get to the third floor—you repeated under your breath. You could have called an ambulance or better yet his team member, SSA Derek Morgan, but you felt the urge to make sure he was alright. To make him see that someone else besides from his mother and team care about him. To make him see that life was worth living, no matter the good or the bad.

“Spencer, I’m outside your door,” you tried to catch your breath. “Do you think you could let me in?”

And for a few seconds, there was only the tense silence before a series of gasps and groans crescendo’ed louder and louder from the phone speaker and on the other side of the door. 

Shit. You knew what those grunts of pain and pleas meant, he was seizing.

Slamming down on the ground, uncaring if your exposed knees get bruised, you sent a silent thank you to your past self for leaving a hair pin inside the pockets of your sleep shorts. Breaking and entering was yet another skill set you learned from the other Dr House and his team of skilled doctors, you just never imagined you’d be applying that knowledge in breaking and entering a federal agent’s home. 

The door unlocked and you barreled your way to the living space where a frightful sight greeted you—Spencer on the floor, laying still as if he was peacefully sleeping.

“No, no, no,” you slid beside him, mind cataloguing every detail for the right action. An empty needle near his exposed right arm and an empty glass bottle of Dilaudid.

No rise and fall of the chest.

And no pulse. Medical training kicking in, you tilted his head up, clearing the pathway, and started chest compressions.

One. Two. Three—

“C’mon, Spencer, breathe,” you grunted in between pumps.

One. Two. Three. Four—

You leaned down to his chapped lips, blowing air to his mouth. “I need you to breathe for me, okay. Breathe, Spencer.” 

One. Two. Three. Four. Five—

“Breathe, c’mon Spencer,” you knew there was a high probability for the agent to have his own stash of narcotics and in by agreeing to keep his secret, lest he loses his badge, to get him to open up was a gamble. A risk you were now regrettably paying for.

One. Two. Three. Four. Five. Six—

“Dammit Spencer, I could lose my license for this. Breathe, I need you to breathe.”

A sputtering of coughs escaped his lips.

“Oh thank you, thank you,” you breathed out, arms sagging from the pressure of performing CPR and the weight of fear that you might have been too late. 

Spencer groaned. “Dr. House?”

You nodded, the salty tears blurring your vision. The image of him lying still was burned into your memory, the same way the mirage of your own father lying in a pool of his own vomit. He’s alive—they’re both alive.

Your hands angrily erased the rivulets the tears left behind on your cheeks. Now wasn’t the time to give in to relief and emotion. Although Spencer was out of the woods, there was still a huge uphill battle to tackle. 

“I’ll carry you to bed, lean your weight on me,” you huffed as you helped him up the floor, making sure to take in most of his weight that you could.

The form of you, tears still streaming down your face and steps away from a breakdown, and his hunched form, weak and pliant, was a sight to behold. It was a sight after battle—after the white flag had been waved and the injured tying their best to find their way back to life.

It was sad. It was hopeful.

It was a brush on humanity’s eternal friend, death. Death that still loomed in the corners of the apartment, biding his time to take what was promised.

You laid him gently on the bed before running back to the spied kitchen, grabbing a glass of water. The smell of books permeated the air as if to try and bring your panicked mind back to the present. If it were any other day, you would have found yourself perusing his shelves of eclectic classic literature but this wasn’t the right time and place.

Your bare feet sliding across the floor to make its way back to the groaning figure on the bed, threatening to sit up.

“No,” you tapped his shoulder to get him back down. “I need you to rest.” 

“But—”

“No buts Spencer. Rest, I’ll stay here.” 

His drooping eyes reading yours, trying to find any type of lie that would break his being further than it already was. Spencer was a broken man and this was the first time you could see written in his eyes his plea for help and company. “You promise?”

“I’m not going anywhere. I promise.” 

His hands blindly groping across the bed spread before it found the treasure it was searching for, your hand. He enveloped his with yours, calloused fingers intertwining with smooth. A contrast that brought him comfort—you were here. You were real. You felt safe. You saved him.

He was alive.

And with that, his eyes closed to fall into a peaceful slumber, one that he hadn’t had in months. 

Comments and reblogs are highly appreciated!

[loveesiren]

𝖤𝗆𝖾𝗋𝗀𝖾𝗇𝖼𝗒 𝖢𝗈𝗇𝗍𝖺𝖼𝗍 (𝖯𝖺𝗋𝗍 𝖮𝗇𝖾)

Rafe Cameron x Reader | Pt. 2

a/n: hi my lovelies! I wrote this based on one of my favorite songs! Emergency Contact by Pierce The Veil. It ended up being really long so I decided to chop it up into three parts! Not sure if I'll write more for it but I'm just happy to get out of my writer's block and post something new. I hope you enjoy! Feedback welcome and encouraged :)

synopsis: Y/N has always been close to the Cameron family, practically a part of it after years of friendship. Beneath the surface, unspoken feelings simmer between her and Rafe, but neither of them can muster the courage to admit it. When Y/N finally decides to move on, setting her sights on a new man, he’s forced to confront the truth: losing her might cost him more than he ever realized.

warnings: slight angst

wc: 3.1k+

Rafe wasn’t used to girls like you. Sweet, kind, and angelic. His experience with women had mostly consisted of those who were after his money or his drugs, their intentions shallow and self-serving. But you were different. You didn’t want anything from him—not his wealth, not his reputation, not his vices. Your every interaction with him felt genuine, and it threw him off balance. You made him feel things he couldn’t quite name, emotions foreign and unsettling in their depth.

The first time Sarah brought you home was about three years ago. You had recently moved to the Outer Banks and met Sarah at a party at the Boneyard. You hit it off immediately, your laughter and warmth cutting through the chaos of the night. Sarah had invited you to dinner with her family, and you accepted, not knowing how much that evening would change everything.

You wore a white sundress that night, the fabric brushing against your sun-kissed skin. Your hair fell in soft waves past your shoulders, and you carried yourself with effortless grace. You looked like the picture-perfect Kook, someone destined to fit seamlessly into their world. Sarah had assured you her family would love you—and they did. But no one was more captivated than her brother, Rafe.

“Rafe, this is Y/n,” Sarah introduced as you stepped into the dining room.

“So nice to meet you!” you said warmly, your smile lighting up the space.

Sarah had expected Rafe to scoff or brush you off like he usually did with her friends. Instead, he stood there, visibly flustered. His blue eyes darted from you to the floor as he scratched the back of his head, his hair falling slightly into his face.

“I-uh-you too,” he stammered, his voice uncharacteristically soft.

Sarah smirked, barely holding back a laugh. It was rare to see Rafe like this, vulnerable and unsure. Throughout dinner, he was unrecognizable—quiet, attentive, and completely entranced by you. He didn’t crack a single sarcastic remark or roll his eyes like he usually did. Instead, he listened intently as you chatted with Rose and Ward about your background, your studies, and your dreams. His heart skipped a beat every time you laughed, the sound stirring something deep inside him.

Later that night, as you and Sarah changed into pajamas in her room, she couldn’t help but tease you.

“Rafe likes you,” she said, a sly grin spreading across her face.

You blinked in surprise. “Really? He seems… shy.”

Sarah snorted. “Oh, he’s far from shy. At least, not with most people. I’ve never seen him clam up like that before.”

You bit your lip, a soft smile tugging at the corners of your mouth. The thought of Rafe Cameron—the same Rafe who intimidated just about everyone—getting nervous around you sent a flutter through your chest.

Over the months, you became a fixture in the Camerons’ lives. You grew close to Sarah, sharing secrets and adventures like lifelong friends. But it was your bond with Rafe that surprised everyone—including yourself. Around you, he was different. The sharp edges of his personality softened, his temper cooled. He was kinder, calmer, and, for the first time in years, genuinely happy.

Sarah noticed the change immediately. She even started to enjoy spending time with her brother—something she’d never thought possible. Whenever you were around, Rafe seemed lighter, his dark moods kept at bay by your presence.

And while you’d never admit it out loud, you’d started to feel something too. The way his eyes lingered on you, the way his voice softened when he spoke your name—it all made your heart race in a way you couldn’t ignore. You knew it was risky, falling for your best friend’s brother. But with Rafe, it felt inevitable.

Today was an exciting day. You and Sarah were helping Rafe move into his new house, a milestone he’d worked tirelessly to achieve. It wasn’t as grand as Tanneyhill, lacking the opulence and legacy of the Cameron estate, but it was something entirely his. A charming seaside home, bathed in sunlight and kissed by the ocean breeze, a place where he could finally carve out a life of his own. With Sarah already living with John B, you knew Rafe had felt out of place staying at home at 24. Now, this house was his fresh start.

“This is gorgeous!” you called out, your voice carrying across the open space as you stepped onto the balcony off the living room. The view was breathtaking: the endless stretch of ocean meeting the horizon, waves rolling in with rhythmic grace. The sun warmed your skin, and the salty air filled your lungs, making your heart feel light and free.

Rafe followed you outside, a soft smile playing on his lips. “I thought you’d like it,” he said, his voice tinged with pride. But while the sea and sky formed a masterpiece before him, his gaze lingered on you instead, captivated by the way the sunlight danced in your hair and the way your eyes sparkled with joy.

“I mean, look at this view!” you exclaimed, leaning against the railing and spreading your arms wide as if to embrace the entire ocean. “I could look at this forever!”

Rafe’s eyes never left you. “Me too,” he murmured, so softly it was almost a whisper. His words weren’t meant for the horizon or the waves, but for you—the only view that truly mattered to him in that moment.

You turned to look at him, a grin lighting up your face. “I brought champagne! To celebrate!” you announced, practically bouncing on your feet before darting back through the house and out to your car to grab the bottles you’d picked up. Returning triumphantly, you popped one open, the cork flying with a soft “pop” and a few fizzy streams spilling onto the hardwood floor. You laughed it off, quickly pouring everyone a glass.

“To new beginnings!” you declared, raising your glass high, your eyes sparkling as they met Rafe’s.

“To new beginnings,” Rafe echoed, his voice soft but steady as he clinked his glass against yours, his gaze lingering on you a little longer than necessary.

The rest of the afternoon was a flurry of activity. John B and Rafe tackled the heavy lifting, moving boxes and furniture, while you and Sarah set to work unpacking and arranging. The kitchen was priority number one, ensuring Rafe would at least have a functional space to cook while settling in. Between trips to Tanneyhill and the furniture store, laughter filled the air, making the hard work feel less like a chore and more like an adventure.

By the time evening rolled around, the four of you collapsed onto the couch, surrounded by a sea of half-opened boxes. You leaned back, exhaustion mingling with the lingering buzz of champagne.

“How do you have so much stuff?” Sarah groaned, shooting Rafe an incredulous look.

Rafe smirked, leaning back against the couch. “Please, I seem to remember a few boatloads of crap when we moved you to Poguelandia.”

“He’s not wrong,” John B chimed in, raising an eyebrow at Sarah. “Our room is mostly your stuff. I have, like, one drawer.”

“Oh, shut up!” Sarah laughed, playfully slapping her boyfriend on the shoulder. She yawned, stretching her arms over her head. “Speaking of our room,” she said through another yawn, “I’m ready for bed.”

You giggled as John B helped her up from the couch, the champagne’s bubbly warmth making you feel light and carefree.

“Thanks for the help,” Rafe said, walking them to the door. You listened as the Twinkie’s engine roared to life, fading into the distance as Rafe closed the door and returned to the couch.

“Rafeyyyy,” you whined playfully, stretching out the nickname as you leaned into the cushions. “I think I might’ve had a little too much champagne.”

Rafe chuckled, his lips curving into an easy smile as he settled beside you. He loved the way your nickname for him rolled off your tongue, soft and endearing. “That’s okay. You can stay here tonight. Take the bed; I’ll crash out here.”

“What? No!” you protested, sitting up a little straighter. “It’s your first night in your new home! I don’t want to ruin that.”

“Trust me, sweetheart,” he said, his voice low and warm, “you’re not ruining anything.”

“I don’t even have a change of clothes,” you pouted, crossing your arms for dramatic effect.

Rafe’s laugh was soft, a sound that made your chest feel lighter. He reached out, gently tucking a stray strand of hair behind your ear. “Go shower. I’ll make the bed and find you something to wear.”

Your cheeks warmed under his touch, but you nodded, a cheeky smile spreading across your face. “Okay,” you said, hopping up and darting toward the bathroom.

You were grateful you and Sarah had spent time unpacking the essentials in the master suite. Grabbing a towel, you locked the door behind you and turned on the shower. Steam quickly filled the space, cocooning you in its warmth. As the water cascaded over your skin, washing away the day’s sweat and exhaustion, you let yourself relax, the events of the day swirling in your mind. Rafe’s soft smiles and gentle touches lingered in your thoughts, leaving your heart fluttering in a way you couldn’t quite shake.

You tried to push the thoughts from your mind. You and Rafe were close friends—nothing more. You couldn’t justify having feelings for your best friend’s older brother. Besides, Sarah had set you up on a date with JJ Maybank for tomorrow. The blonde Pogue was someone you’d grown to know well. He was carefree and fun, always ready to brighten everyone’s day with his infectious energy.

You were genuinely excited for your date with JJ. Rafe, on the other hand, didn’t see you as anything more than a friend. Sure, he’d had a small crush on you when you first met, but that had been ages ago. He’d never made a move, so you assumed those feelings had long since faded. You shook off the intrusive thoughts and focused on finishing your shower, letting the warm water wash away any lingering doubts.

Meanwhile, Rafe moved with quiet purpose. He carefully made the bed, choosing the softest sheets he could find and fluffing the pillows with meticulous care. On the edge of the bed, he laid out one of his favorite T-shirts and a pair of sweatpants for you. Comfort was his priority. It always was when it came to you. He wanted you to feel at ease, to be happy. Deep down, he was completely and hopelessly in love with you, though he’d never admit it. The thought of saying it out loud felt terrifying—what if it changed everything?

Hearing the shower turn off, Rafe quickly exited the room, retreating to the couch. He pressed play on a random movie, letting the screen light up with familiar scenes as a distraction. Ten minutes later, you emerged from the bathroom, wrapped in his oversized clothes, your damp hair framing your face.

“Hey, how are you feeling?” he asked, his voice soft.

You sank onto the couch beside him. “Better. Sleepy,” you admitted with a small smile. “Thank you,” you added, gesturing to the clothes you wore.

“No problem,” he replied, fiddling with his earlobe, his gaze flickering nervously between you and the TV.

“What are you watching?” you asked, pulling your knees to your chest and resting your chin on them.

“Uh, just some old movie,” he said with a shrug. “Put it on for background noise.”

You squinted at the screen, quickly recognizing the iconic characters. A playful grin spread across your face. “Rafe Cameron, are you watching Titanic?”

Rafe glanced at the TV, his cheeks flushing. He hadn’t even realized what he’d put on. “Oh, I… I guess so,” he mumbled, scratching the back of his neck.

You laughed softly, turning to him. There was a shy look in his eyes, but it wasn’t about the movie. It was something else, something deeper. He looked like he wanted to say something, the words hovering on the tip of his tongue. But before he could speak, he clamped his mouth shut, redirecting his attention to the screen.

“You wanna watch it?” he asked quietly.

“Yeah,” you said with a smile, leaning back into the couch. The comfort of the moment settled over you like a blanket.

You hadn’t planned on falling asleep, but the champagne and the long day had drained you. Before you knew it, you were slumped against Rafe, your head resting on his lap as soft snores escaped your lips.

Rafe’s heart swelled as he looked down at you, a tender smile spreading across his face. He gently played with the ends of your hair, his fingers brushing against the silky strands. As the movie reached its emotional climax, he found himself tearing up—not just at the tragic ending but at the overwhelming emotions swirling inside him. You looked so peaceful, so angelic, and he felt an ache in his chest he couldn’t ignore.

Carefully, he shifted, lifting your head to slide out from under you. Scooping you up into his strong arms, he carried you to the bedroom, mindful not to disturb your slumber. He pulled back the covers and tucked you in, making sure you were snug before clicking off the light. Leaning down, he pressed a soft kiss to your temple, lingering for a moment to take in your serene beauty. With a reluctant sigh, he made his way back to the couch.

Sleep didn’t come easily for Rafe that night. He tossed and turned, his thoughts consumed by you. He’d tried to bury his feelings, tried to convince himself that friendship was enough. But the more he tried, the stronger those feelings grew. In the quiet of the night, he allowed himself to daydream—a cozy little house by the sea, a dog, maybe even kids. A life with you. But reality crept in, reminding him that to you, he was just a friend. Nothing more.

The next morning, the savory aroma of eggs and bacon wafted through the air, stirring you from sleep. You rubbed the remnants of slumber from your eyes and glanced around, the unfamiliar surroundings reminding you where you were. Rafe’s new house. His king-sized bed cradled you in luxurious comfort, but the empty space beside you felt oddly hollow. For a fleeting moment, you’d hoped to find Rafe still asleep there. The thought made you frown, though you quickly reminded yourself that he’d slept on the couch—because of course, Rafe was a gentleman like that.

You padded softly toward the kitchen, following the sound of sizzling. “Smells good,” you said, your voice still heavy with sleep.

Rafe jumped slightly but turned to you with a soft smile. “Oh, hey! You’re up! I made breakfast.”

“Thanks, Rafey,” you replied with a grin, sliding onto a stool at the kitchen island. Then guilt crept into your tone. “Sorry I got all drunk and stole your bed.”

He shook his head dismissively, turning back to the stove. “No need to apologize. I’m just glad you got some rest after yesterday.” He plated eggs and bacon, setting it before you. “Did you sleep okay?”

“Like a baby,” you chuckled, picking up a crisp strip of bacon.

“Good,” he replied, his voice warm as he resumed cooking. “So, any big plans today? Wanna help me unpack more of this mess?”

You paused mid-bite, your mind flickering to the evening ahead. “I can help for a bit, but I have a date tonight, so I’ll need to head home early to get ready.”

The words hung in the air, slicing through the calm. Rafe’s hand stilled, his grip tightening on the spatula. He didn’t turn to look at you, knowing his face might betray the knot tightening in his chest. In all the time he’d known you, he’d never heard you talk about a real date. Sure, you danced with guys at parties or flirted harmlessly, but this—this was different. His heart twisted painfully, the kind of ache he couldn’t ignore.

“A date?” he asked, forcing his tone to sound casual, though the words felt like sandpaper against his throat. “With who?”

You hesitated before answering, as if bracing yourself. “JJ,” you said quietly. “Sarah set it up. I haven’t been on a date in a long time, so I’m not really sure what to expect.”

Rafe’s mind reeled. JJ Maybank. Of all people. Why would Sarah do this—when she knew how he felt about you? He plastered on a tight smile, masking his turmoil as he finally turned to face you. “It’ll be great,” he said, his voice steady despite the storm raging inside him.

“You think so?” you asked, chewing your lip nervously. “I’m kind of... nervous.”

He swallowed hard, shoving his feelings down where they couldn’t escape. “Yeah,” he said, the words tasting bitter. “You’re a catch. He’d be a total idiot not to like you.”

Your lips curved into a warm smile, and for a moment, your gaze locked with his. Those ocean-blue eyes of his held something unspoken, something tender. “Thanks, Rafe,” you said softly, your voice full of gratitude.

He forced a grin, though it felt hollow. “Of course,” he replied. “Tell you what—don’t worry about the unpacking. Go home and get ready for your big date. Can’t wait to hear all about it.”

You beamed, finishing the last bites of breakfast. “You’re the best,” you said, grabbing your purse and heading for the door. “Thanks for letting me crash! I’ll get your clothes back to you tomorrow!”

Rafe watched as you hurried to the door, his heart aching with every step you took away from him. He raised a hand in a mock salute, a forced smile still glued to his face. “Have fun,” he said, his voice hollow.

The door clicked shut behind you, and suddenly the house felt suffocatingly empty. Rafe stood in silence, staring at the spot where you’d just been, your laughter still echoing faintly in his ears. He let out a sharp breath, his chest heaving with suppressed emotion. Before he could stop himself, he grabbed the nearest glass off the counter and hurled it against the wall. It shattered into a thousand tiny pieces, much like the hope he’d been quietly holding onto.

His hands gripped the edge of the counter, his knuckles white as he tried to steady himself. She’s gone, he thought bitterly. She was never mine to lose, but somehow, I lost her anyway.

For years, he’d found comfort in being the one you turned to—when you were too drunk at a party, overwhelmed by a panic attack, or even just bored on a lazy afternoon. You’d always come to him. But now, you were running toward someone else. JJ fucking Maybank.

And there wasn’t a damn thing he could do about it.

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[cherrybomb107]

I literally wouldn’t have cared if they decided to pull a Cyberpunk Edgerunners and kill off our entire main cast save for one or two characters and let the bad guys(the establishment) win. Tragedy isn’t the problem. The problem is the way they went about it. The show had so many plot threads to tie up, there was never any time to truly reckon with all the tragedies that were occurring.

Ekko losing his tree because of Arcane poisoning would be tragic. Notice I said “would be” because that plot line is literally never addressed again. It gets brought up, and then forgotten about. Vi being hit by her girlfriend after she makes the decision to put on the uniform of her oppressors and contribute to oppressing her own people in pursuit of a little sister who she can’t accept has changed is tragic on multiple levels! That’s some compelling shit! But the show never meaningfully addresses these issues or lets Vi react to them without throwing her into a new situation where she has to fight and lose something again. All Vi has ever done her entire life is try and fail to protect her loved ones. She gets punished for trying. It’s almost like the universe itself is out to get her! But we never see Vi break down and pick herself back up. We never see her make any choices to do what’s best for her. The plot decided for her and that’s the problem!

Vi and Jinx deciding to go their separate ways after all that they’ve been through would’ve been tragic. These two sister who love each other more than anything having to break apart for who knows how long and holding onto the hope that maybe they can reunite and be sisters again is gut wrenching…or at least it WOULD be if they actually decided to separate! Vi didn’t decide to leave her sister, Jinx didn’t decide to leave Vi, the narrative forced them apart! The narrative keeps ripping them away from each other and it’s starting to feel intentional. Trying to tell the audience that the only way Vi can truly be happy and choose herself is by having her baby sister die and being forced to live with her girlfriend in a city that will be extremely discriminatory towards her is not it. I’m not saying that Vi and Jinx have to ride off into the sunset together. But I am saying that if going their separate ways really was for the best, the show wouldn’t spend so much time trying to convince us of that. It would just happen organically. Which, to me, it didn’t

Jinx losing Isha was yet another tragedy! But the show doesn’t really show Jinx grieving and then deciding to fight for what she believes in after Ekko convinces her to try. She tried to kill herself five times. FIVE TIMES!!! How on Earth did she go from that to a badass piloting an airship, dripped out with her new outfit and steeled sense of resolve? We don’t know because it happened offscreen! I understand the show had time constraints, but come on. This plot line deserved more time to shine. Sevika being on the Council is a tragedy. It’s an empty gesture for one, and majority rules for two. That means Sevika will be forced to try to barter for Zaun’s freedom while being surrounded by a bunch of classist Piltie pricks who despise her and everything she stands for. She will be talked over and talked down to. That’s not a happy ending! But the show frames it like it is! And I’m sorry but if you can’t watch interviews of the writers saying their thoughts on the show and you genuinely believe that they have the range to write Sevika being on the Council as thoughtful commentary? No comment😭😭😭

Caitlyn’s corruption arc is yet another tragedy! Both because of what happened to her AND the fact that the arc wasn’t done! Caitlyn’s arc was supposed to show how no matter how “good” and “kind” a privileged person believes them self to be, their unconscious bias and prejudice against the out group will rear its ugly head the second they experience a fraction of what the marginalized group has been experiencing for centuries. It was so easy for Caitlyn to say “I understand now. How easy it is to hate them.” “Those animals!” “I thought you were different, but you’re not. It’s her blood in your veins!” How easy it was for her to weaponize The Gray. How easy it was for her to work with Ambessa and co sign martial law despite knowing better. How easy it was for her to risk killing a child just to get to Jinx. That’s super compelling! But the problem is we never see Caitlyn wrestle with her decisions. Guilt should be eating her ALIVE and all we get is a complete 180 from her after a time skip! Then she does nothing to redeem herself! And once again, no the writers absolutely did not intend that to be commentary on how the privileged are able to get away with things the lower class would be imprisoned/killed for. If they did then Caitlyn could’ve had a confrontation with someone from Zaun, whether that be Sevika, Ekko, Jinx, Vi or someone else, where they call her out on her hypocrisy. Then we would see her wrestle with that and realize the monster that she’s become.

Unfortunately, all these tragedies are not given the proper narrative weight they deserve. Or they’re not treated as tragedies when they so clearly are! THAT’S the problem! It’s not tragedy, it’s the framing! And it’s the way y’all are so condescending whenever someone criticizes the show. Why is every single critique met with “You didn’t watch/understand the show”? Why is it always “What were you expecting?” “You’re just mad it didn’t go your way.” “You’re just a hater.” “You have no idea how hard writing a script is.” “They planned the story from the beginning, this is how it was supposed to be.” And on and on and on. It’s exhausting! Why is it so hard for y’all to understand that it is possible to understand and have love for something but still have gripes with it? It doesn’t mean I love the show any less! It just means I’d love it even more if not for these certain aspects of it. That’s it, that’s all🤷🏾‍♀️🤷🏾‍♀️🤷🏾‍♀️

[runningupthatvecna]

get the peach(es)

bestfriend!eddie munson x reader

it's the day after chrissy got vecna'd and you and the gang decide to check up on eddie at rick's. he's still in so much distress that you can't help but selflessly stay with your best friend (who you've been harboring a crush on for quite some time) and keep him company. 6k words, not proofread.

cw: the good old friends to lovers trope, eddie is an anxious bean who just needs to be held (by you, ideally), mutual (and not so secret at all) pining, i wrote this with fem!reader in mind (she/her pronouns) but can also be read as gn i guess, fluff, hurt/comfort (for eddie), pet names, mentions of chrissy's death, there shall be kisses and a lot of softness. nothing too explicit but minors are still advised to LEAVE

a/n: totally not self indulgent, that scene of him being so terrified in 4x02 ripped me to shreds so this is my fix-it attempt, trying to still my need to hold him and scratch his head. disclaimer: this piece of writing is based on the ending of that episode, meaning all credits for the setting go to the respective writers. sources to the header images here, here and here. lovely divider by saradika. ok thank you so much for reading byeeee love y'all <3

–––––

The overwhelming need to befriend the satanic metalhead found you at that party at the Wheeler house. You had almost said no to Nancy when she invited you, knowing damn well how the night would end. Steve passed out with a girl on his lap, Robin silently pining after Vickie from some corner of the room while clinging onto the red plastic cup in her hand, Jonathan getting higher than a kite with his old school mates, the younger kids asking you every five minutes if you could give them a ride since you usually were the one staying sober.

Additionally this time, there would be Eddie Munson. This familiar stranger Dustin, Mike and Lucas had met and somehow befriended over the last months, due to them joining his DnD club. "He might come off as a bit intimidating ... but I promise he's super chill and easy going!", Mike had tried to convince his sister, poking the tip of her shoulder repeatedly with a bunch of pleases during lunch break in the editing room of the school's newspaper. Until she rolled her eyes theatrically and agreed to let the ambiguous stranger, which the whole town collectively perceived as not really fitting in (and who you both certainly knew under the not so chill reputation he carried around), attend the celebratory events at Casa Wheeler. Occasion: Karen, Ted and their youngest leaving the house for more than one day, off on vacation.

You'd always kinda stayed out of his ways, used to observe his antics back at school with a silent laugh and this .. intrigue poking at your guts. To you he always stood out, and if anyone asked you'd be hesitant to admit it, but his willingness to go against the flow and not conform to the acceptable standards set by society was honestly impressive. And besides, surely this whole mysterious drug dealer rockstar image must just be a fassade and deep down he's just a dork, right?

His eyes follow you through the living room, an echo of your name crossing his mind repeatedly after having pulled Dustin into a corner for a brief interrogation. He finds it endearing how quickly and almost bashfully you look away every time your curious gaze meets his. As you redirect your focus to the conversation you're becoming engaged in, there's a soft smile creeping onto your lips. Little did he know it would soon start to haunt him in his dreams at night.

"Anything specific you're looking for?"

God, his voice. The close proximity invites your nose to inhale a mix of fresh cigarette smoke, bergamot and sandalwood, allowing you to sense what can only be him standing behind you as you skim through the cabinets of the Wheeler kitchen. You turn your head for your eyes to confirm your assumption and what they find is the deepest brown of round baby cow eyes they've ever met, up so much closer now. The paring of his gaze and plush smile somehow manages to dissolve every little prejudice you've been involuntarily harboring about him. Eddie Munson, the town's freak. Prime reason for the existence of the satanic panic. Drugs. And then you realise that you should probably do the polite thing and give him an answer. "Yeah uh, I was just trying to find the peach syrup", holding his gaze with a small lopsided smile, lost in its warmth which you wouldn't have dared to expect from it, before facing away from him again. He snorts a little, "peach syrup?", pauses to bring a thumb to his upper lip, lightly scratching the skin above as if to wipe something away, before he removes it again and the dimples appear around the corners of his mouth, "that is oddly specific." His response spreads a smile over your face, and the next thing he says widens it, "looks like you have taste though."

You move one step to the side, about to investigate the insides of the next cabinet, the kitchen itself almost empty of people with only three others chatting away in the corner across the island. He follows, undoubtedly trying to stay close, and the heat from the fire he just ignited somewhere inside of you rises to your cheeks. "Thanks, I really like peaches. Especially in my drinks. It adds a little ... kick to my sobriety", you explain, Eddie now quirks an amused eyebrow paired with a lopsided smile at you, and as you get to the last cabinet it dawns on you (and also Eddie) that this household severely lacks peach syrup. An atrocity. Thanks Ted.

After he helped you rummage through the entirety of the kitchen without success but under a lot of small talk, the metalhead vanishes from the function for an hour or so. At least that's what your brain concludes when your vision fails to spot him among the people who are in attendance. Maybe he's selling out of Nancy's bedroom. Maybe he's puking up his insides in the bathroom because he had too much of that weird beer he's been downing all night. Maybe he's banging some random girl in the bathroom upstairs. Or summoning a demon. Or both. At the same time. You once again try focusing your attention back to the conversation you are involved in. Munson already feels so dear to you that the lack of his presence is starting to form an ache in your heart. It's tugging on those strings with how much you already want him near you. Yeah. You're gonna be in trouble with this one.

And then he stumbles into the room from the direction of the front door, an event you're totally unable (and unwilling) to miss. He doesn't look like he just puked, nor sold a whole lot of the stash since you notice it still bulging out the left ass pocket of his black jeans. Instead, as he pushes past the small groups of people socialising – and towards you – while you notice a red net of round fruits dangling from his right hand, and you start to think that his disheveled hair and that rosy tint on his cheeks might actually not be from shagging either. He meets your gaze again as he approaches you with a grin and your heart dares to swell at his attentive gesture (you think you might as well pass away on the spot).

"Have some, peach."

It's not syrup, but you'll take them anyway. And with your next drink, you swallow down not only that peachy sweetness on your tongue, but also whatever this tingly feeling in your chest is.

"Chchhrhch.."

Pause.

"Hey, uh– chrhchhr.."

Silence in your bedroom, the only thing illuminating the space is the moonlight softly falling through the window.

"Chrch– a-are you there?"

You stirr awake from dozing off in your bed, trying to piece together the information your senses are giving you.

Eyes gone dry, you have to blink a few times. Figure out which year it is and so on.

Confusion lies between the static crackle for a moment. That nap after your shift at the diner was necessary. God, you need to fucking quit.

"No I'm sure she'll pick right up, just– hey pleeease b-be awake, goddamn it!–"

Is it already past midnight?

You don't know and you can't tell, the clock on your nightstand still broken. What you do know though is that the familiar voice belongs to your friend Dustin and it's desperately trying to get ahold of you.

They must have found him.

"Dustin? I copy, where are you? What's going on?", you finally grab the device from the nightstand, fully awake and aware of your surroundings now.

You need to know. If he's okay.

There's that all too familiar instant tingle in your chest again, an ache that made itself familiar to you for the first time when he was introduced to you at the one and only Wheeler party several months ago. The dungeon master of Hawkins High's Hellfire club, the lead guitarist of Corroded Coffin and a super chill and easy going guy, to put it in Mike Wheeler's words.

What you didn't expect back then was your heart starting to develop that feeling, that tingle you'd always get to feel when you were in his presence, or like now, when his name is threatening to spill from your friend's lips on the other side of the connection at any moment.

"Aha! See? I told you she'd respond in no time."

You can practically feel Dustin's shit eating grin through the frequency, basking in being correct over Steve Harrington once again. It never gets old between these two.

"Oh my god", Steve's muffled voice is what you can make out vaguely from the off, he's probably palming his face.

"Dustin!", your voice disappears into the device, and your impatience grows with every passing second, hoping he gets the hint.

There's the sound of a door falling shut, leaves rustling under shoes, he must be outside now.

"Alright, okay yeah, so we found him at Rick's and he's really upset and he's been asking for you. I know it's late but can you meet us out here? And maybe, uh, stay with him?"

It's not even worth questioning. You're already wearing shoes. Your biggest hoodie in tow, you stumble into your kitchen with the intention to raid your own snack drawer. Pulling out Eddie's favourite, which you of course had stocked up on ever since hanging out with him at your place had become more of a weekly routine for the both of you.

Ten minutes, you told him. You'd be there in ten.

The drive feels like forever. The longest ten minutes of your life, you think.

You know the route like the back of your hand, having driven along the gravelly road leading from the last intersection before Hawkins' border to the outer world, to the serene woods surrounding Lover's Lake countless times. Eddie would take you here ever so often, for picnics, an occasional smoke after picking up a new delivery from Rick's, cloud or star gazing, listening to Metallica and Tears for Fears on Wayne's old walkman.

The gravel crunches underneath your white reeboks as they land on the ground. You close the door to your car as quietly as possible after you've taken out the bag and your hoodie.

Dustin and Steve are stood outside the boathouse, waving like madmen in the darkness once you come into their periphery.

The younger boy hugs you tightly.

"So glad you could make it", he gets out, the relief palpable through his voice as well as the grip he holds you in for a brief moment.

You look at them both after Steve presses you against him cordially, and breathe out through your nose, making your nostrils flare.

Dustin cracks open the case to you as he starts to ramble about the state in which they found your best friend, "well first he attacked Steve with a broken bottle, we had to put in great effort to convince him that we'd be on his side, and we came to the conclusion that he was in the wrong place at the wrong time, basically."

What you want right now goes without saying. Everyone here knows how close you and Eddie are. As friends, of course. No one would think anything different.

Without wasting another second, the boys lead you inside where Max and Robin are knelt on the wooden floor. Heads turning towards the entrance of the room where you're now standing.

The sight of what's offered to your eyes, sitting opposite of them, breaks your heart.

You can see that he's slightly shivering, eyes glassy in the dim lit room. A small smile tugs at the corner of his lips though once his brain grasps your presence, and he can't help anymore but let the water fall once his eyes lock with yours.

The pain that is swimming in those two deep warm brown oceans hits you like a dagger to the chest. Over the months of being friends with him you'd seen him various different states, none of them comparable to this.

"Peach", his shaky voice announces your arrival and the sound of your nickname spilling from his lips cracks through your bones. The bag that's slung around your shoulder drops onto the wood with a dull thud.

Wobbly legs carry him towards you with a gentle shove past Robin and Max. You're once again reminded of your best friend's sheer physical strength as he wraps his arms around you, instantly burying his face into the crook of your neck.

One arm of your own sneaks around his torso, pressing him against you as tightly as your own strength allows you, while your other hand comes up to bury itself underneath the mane and to end up scratching soothingly over the scalp above the nape of his neck.

Eddie lets out a muffled sob, sniffling into the collar of the sweatshirt you threw on in a haste. He doesn't really want anyone to see him like this, certainly not Steve Harrington, so he clutches onto you so tightly that he thinks you might just feel his heavy heart beating anxiously against your chest.

And you do. How could you not with the amount of world he means to you? Like an automatism your other hand rubs slow circles over his back. Comforting him in the best way you could. Not a conscious decision you make.

"Okay so, m'not meaning to ruin the party, in fact I'd love to stay for another round of doom talk, but I really should get home soon, guys", Robin scratches the back of her head after she gets up from her huddled position next to the wooden crate Eddie had been sitting on. Max joins in and agrees, mumbling something about having to move her mom from being passed out on the couch again into her bed.

"Yeah me too, actually. My dad's gonna be fucking pissed. We'll see you tomorrow, yeah?", Steve's voice echoes through the room and you can tell he's already shoved Dustin back outside, itching to drive the kid home.

As Eddie processes having to stay in hiding, added the possibility of everyone leaving without him, his grip on you tightens even more.

"It's okay, Eds", you speak softly, head slightly tilted so your cheek rests on the dark frizzy mop you could call his hair. The skin on his neck and scalp so warm underneath your fingertips as you keep scratching it, emphasizing your presence, "I'll stay."

A soft muffled whimper is what you get as a response, and the way he lets you see him in this state melts your insides to a puddle.

You just need him to be okay.

They wave their goodbyes behind your back, accompanied by mumbles of "see you in the morning", and you can't even bring yourself to turn your head around, fully focused on making the young man in your arms less terrified of the world. A world he was sure was now going to come for him with all its force – in deep conviction of him being responsible for Chrissy's misfortunate end.

The door falls shut and Eddie muffles a quiet thank you into the fabric of your sweatshirt. The skin on your neck is damp with his tears, wet eyelashes tickling every time he blinks.

"It's okay, Eds", you softly keep repeating your words to him while continuously rubbing over the denim of his signature Dio vest in a slow motion, when he feels the urgency to claim the truth into the collar of your sweater about what has happened, "I– I didn't do it, I swear."

As if you would need any convincing.

"Oh no of course you didn't, I know that", you're looking for a way to ease the distress this entire situation is causing him, his quivering voice adding to your desire to soothe him to inner peace, "can I make a suggestion?"

Eddie nods with another sniffle against your collarbone, the round wet tip of his nose brushing against the column of your throat lightly. To his ears, your voice sounds like silk right about now.

"How about we head over to the main house and get ourselves a little more comfortable? Since we're gonna be here for a little longer? My god you probably haven't slept or eaten at all, have you?"

You can feel him nod his head again with a hum this time, and you start to think that the tears might not just be pouring because he just witnessed someone suffer a gruesome death right in front of him, but also due to physical exhaustion.

It makes your heart ache even more, that tingle still present, even more so now. It hurts to see your best friend hurt.

He just needs to be okay. And in that heart of yours there's that little spark of hope that leads you to believe you could be the one helping him with that.

You'd really want that. Be all his to find comfort in, to hold close, to kiss stupid

Stop.

A sigh escapes your lungs at the thought. That tingle, that longing, it's selfish. It familiarly pools in your belly and slowly drips downwards. You push your brain aside. This is about soothing your best friend now.

"C'mon then", you utter softly, encouraging him with your hand to lift his head from where it leans against your shoulder.

For your heart it's almost too much to look at, the hurt still swimming in the glassy big brown irises, his waterline red and puffy. The soft smile returning to his lips causes the wet apples of his cheeks to push up slightly, reflecting the dim light coming from the one torch Robin left you, placed on one of the crates.

He really hadn't been able to close an eye for a single second since he he'd gotten up for school the day prior.

You smile back at him almost bashfully as you slowly create space between your bodies.

Eddie is grateful that it's you who grabs his ringed hand next.

He squeezes yours, hoping to get the message of this meaning something to him across.

And he closely trails behind you as you lead the way.

The house feels empty, like no one's really been here in months. You'd never been inside. The few times you'd accompanied Eddie grabbing stash you'd stayed in his van, waiting. But as far as you now can make out in the darkness, there's a couch with knitted blankets, a little TV with a whole stack of VHS almost rising as high as the screen itself, spilled and spluttered empty cans and papers and wrappings littered all around. Maybe this is why he never let you come inside with him. Keeping you out of this definitely not sterile mess. Along with keeping you out of the business.

In the middle of the living room, you let go of his hand and shuffle one step away from him. He's inside now. Safe. Job done. Doesn't need physical contact. You shouldn't, he's your friend. You feel like something between you would break if you'd go there.

Eddie thinks otherwise, regarding close proximity at least. He promptly follows you into what you believe to be the kitchen where you hope you might find a tea bag or two. He comes up behind you and encases you in his arms as you rummage through the cabinets (feels familiar, hm?), not at all ready to say goodbye to the warmth of your body pressed against his own just yet.

You giggle at the silliness of him putting weight on you just to make it harder for you to reach into the cabinets. It's endearing. And very Eddie.

Twenty minutes later and there's two mugs – cleaned to your best ability – with steaming hot liquid on the sixties wooden coffee table. Next to them a plate filled with the almost equally hot insides of a ravioli in tomato sauce can. Thank Rick for a still functioning microwave.

You drape the knitted blankets over both you and Eddie as you settle into the cushions. The only light existent coming from two lit candles on said coffee table. It wouldn't be too wise setting up the torch you think.

The side of Eddie's face glows in the orange yellow, his wide brown bambi eyes dried after the first grand storm, and there's this tug on the corner of his pink plush lips again. He exchanged his leather jacket for the freshly washed hoodie for comfort and a small part of you hopes he doesn't spill his dinner onto any of it.

You lean back into the backrest of the worn out couch and watch as he eats, a domestic thing you've done a thousand times already, yet you still find comfort in knowing that he's nourishing himself.

Or well, in this case, inhaling the raviolis.

"Thank you Peach", he moves to put the empty plate back on the coffee table and it makes the spoon chink and glide along the edge, "I really needed this."

His voice is a little hoarse, probably from the emotions of the hours behind him. Maybe he has indeed calmed down a little. His hand moves down to your thigh, squeezing.

You give him the most empathetic smile you can bring yourself to display, painfully aware of the blaze that is transpiring through your leggings and seeping into your bones, "it's no big deal, really. I mean it is– uh, being there for you, is."

And he can't bring himself to look up at you. Instead, he stares at the empty plate on that coffee table in front of him.

"And to me as well. It really helps that you're here."

He doesn't bother moving the calloused warmth of his hand from the soft warmth of your thigh. It lights your entire nervous system on fire. In a good way.

And that's when you begin to wonder if everything that has just happened and is still happening right now changes anything.

"I'm so glad it does", is all you're able to get out.

Eddie decides that it's time to lean into your side and wrap his arms around your torso once again, drop his head back to its favourite place with a soft content little hum.

He just needs physical comfort. Of course. Just that. Nothing more, nothing else.

The words are redundant but your mouth articulates them anyway, "try to get some sleep, yeah?"

His back already lifts and falls evenly. You place your hand on the back of his head that rests in the crook of your neck again, scratching through the curls lightly, searching to help him shut off even deeper.

–––––

The candles have gone out by the time your eyelids slowly open. It takes you a moment to recall the location you fell asleep in, and you hope that the nightly darkness the whole room is now filled with hasn't invited any stranger to take advantage of your unconsciousness.

There's a warm hand holding your face, the pad of a thumb tracing over the apple of your cheek softly. It makes its way from the bridge of your nose to the outer corner of your eye, and back. And forth. And back. And forth.

You must have moved to lie down on your back in your sleep, with Eddie's weight still on your body, legs entangled. It's not the first time you've slept like this, there had been movie nights that had ended similarly.

His hand caressing your cheek though, yeah that is new. There's something unspoken in the air this time around. Your stomach is doing flip flops when you realise that he is propped up on his elbow, just .. looking at you. With eyes that don't require light to hint at whatever it is he is trying to say, or maybe not trying at all.

"Eds, what are you doing?", you ask almost in a whisper followed by a lopsided smile, expecting an unserious answer, because he always tends to make a joke whenever he tries to avoid conversing about emotions regarding his heart.

His thumb stops its acrobatics on your cheek, comes to a halt.

"I'm–", he takes a deep breath before he continues, "I'm just so grateful it's you that's here right now."

Your hand comes up to cup his. Brush over his rough knuckles with a thumb of your own. Enjoying the warmth that is seeping from his palm into your skin.

"Yeah, I figured you were gonna be a little opposed to spending the night with Harrington", you laugh, an attempt to turn your nerves into humour.

Eddie snorts a little, "yeah right, it's almost like you know me", he grins and pushes himself even closer to your face than he already is. It doesn't necessarily help in extinguishing the fire that's consuming you whole at this point.

"It's almost like we're best friends and I know what you think of him because every time Dustin or literally anyone else mentions his name around you, you're not necessarily secretive about it."

"Hey, my own worldview is not my fault, it's just– ... he just kinda seems like a douche of the highest order."

"He's quite alright, Eds. Try giving him a chance, I think he'd look great as Coffin's tambourinist."

He snorts again and you feel his breath on the column of your neck next when he dips his head down, nose pressing against the soft skin, his small giggle being swallowed by the collar of your sweatshirt.

Your favourite sound. Ever. Followed by the relieved moan Eddie lets out at the way your other hand is softly rubbing over his shoulder blade. The vibration against your neck makes you twitch as much as being pinned into the couch cushions by his body allows you.

It's soothing as much for you as it is for him.

When he lifts his head, the soft gaze he eyes you with is enough to let the goosebumps erupt. Even in the darkness of the room you can still make out those round buttons that could melt the entire north pole.

"Thank you, Peach, really. I'd be goin' mental right now and probably tryin' to counter that by smoking an equally mental amount of the stash I've been hiding here."

Your heart aches.

"I'm just glad I can be that kind of comfort to you, Eds. You don't have to go through whatever the fuck this is alone."

"I know I'm never gonna be alone as long as you are there."

You almost cry yourself now, his words making your hand travel from his own to his cheek, almost passing out from the way his eyes bore into your own once again.

Eddie isn't sure what it is that is making him feel lightheaded right now. The whole rollercoaster of events of the past hours. Or your words of affirmation. Or mayhaps it is your cute soft hand with that little ring on your thumb which is gently swiping over his damp skin.

That cute soft hand he'd been imagining countless times at night, silently yearning for your eyes to look at him differently, to finally see him in a different light the next time you'd hang out.

Probably a combination of just everything.

You reciprocate his soft half-lidded gaze, hand moving from his cheek to tuck some of his hair behind his left ear, revealing that delicate silver hoop earring you'd gifted to him for his birthday, after having talked your ear off about getting his ear pierced for literal months.

He'd insisted you join him for the appointment, "another metal moment for the books", as Eddie had called it, the need to have his hand held during the stab comically urgent in the way his voice sounded when he called you that day. And in the pace in which he picked you up.

"I'm here no matter what", you respond to his sentiment, that hand that brushed his hair away resting on the side of his neck while leaning the weight of your head into his palm that is still attached to your cheek.

Eddie's confidence reaches a new all time high with the admission of your unconditional support being stirred into the cocktail of hormones and emotions that's been circulating in his bloodstream for a generous amount of time now.

Because then he goes on by saying impossible things.

Impossible things with a slightly less platonic undertone.

"You're so fucking sweet, has anyone ever told you?"

You smile as you shake your head, heat rising to your cheeks once again and you're sure he won't be able to see just how flustered he's getting you (joke's on you he does).

You're also sure he's out of his mind for saying that. Now.

"A shame, honestly. You should scold your best friend for not telling you sooner. Tell him what a fucking idiot he is."

Eddie earns another giggle from you. Music to his ears. Better than Metallica. Okay maybe not but .. pretty fucking close.

"I'll let him know next time I see him", you say with a grin, playing along with pleasure, and you ask yourself why it is only now that you realise just how fucking close his face is to yours.

There is a moment of silence in which Eddie hesitates articulating whatever is seemingly bugging his mind.

"Do you, uh, still like him?"

If you lifted your head just a little your noses would be touching. A silly and utmost redundant question, and yet, Eddie dreads your answer. If the circumstances were different, less dystopian and tragic, you'd seriously wonder what would spark the doubt in your friendship in him, but considering that everyone else would be going to pour their judgement over him, you understand.

Every word exchanged between the two of you at this hour is soaked in mutual infatuation, something the idiots in both of you are slowly starting to fathom as well.

"Of course I do, he's everything to me."

As you say it, you can't help the grin which reappears reliably each time you finish verbalizing your thoughts. It's contagious, you notice.

"And do you think – just hypothetically of course", it's only then he breaks eye contact to clear his throat, "of course", you interrupt him still smiling and cocking an eyebrow at him, "d'ya think it would be okay for this best friend to, uh, maybe...", Eddie pauses, internally watching the ship containing his confidence set sail slowly and ultimately letting the irrational thoughts win for tonight, "would you let him..."

Eddie generally wasn't someone who lacked confidence. It showed in the way he boisterously wandered the halls of Hawkins High, the way his demeanor never changed, his mask never faltered no matter who was around. Except for you. You who he had always granted a look underneath the impulsive, extroverted surface.

"Eds", you try everything in your power to stay calm even though everything inside of you is screaming right now and you're certain you can feel your pulse in your earlobes.

"Would it be just insane of that best friend to kiss you right now?"

You want to squeal and kick your feet, pull him into your face, pinch your own forearm, pass away, leave the house and never return, and stay right where you are forever, buried underneath your favourite metalhead, the parts where your bodies are touching practically on fire, cosy and content.

Instead, the most fond smile spreads over your lips as you try to contain your internal overwhelm.

It's still dark, the only light source being the full moon outside. Eddie's so hopeful of your reciprocation and even more terrified of ruining his entire life at the same time, those deep doe eyes at this point pretty much resemble the shape of the space rock orbiting earth. Rejection from you, his pretty Peach and the Bonnie to his Clyde, would be unbearable.

"I think so," you almost whisper, the hand that's been rubbing over Eddie's back coming up to lightly trace one of his eyebrows with your index finger because you just can't seem to not touch him in some way, "but you should know that I love his insanity."

Your small giggle is being silenced by a soft and cautious kiss from Eddie Munson. Like he doesn't want to break you. Or he's afraid you'll snap out of a haze, slap him and leave if he starts kissing you like he really wants to.

And then it's you who goes for it, you feel at home, right where you belong, you don't think you've ever felt this good. The hand on his jaw tugs him closer softly, pressing your lips to his with a bit more urgency.

It gives him all the confirmation he could possibly need.

That tingle, it grows and fills up your chest and shoots through your entire being, goosebumps and all. Eddie moans and breathes against your lips, tongue dancing over the thin skin, asking for permission.

His ringed hand digs deeper and slowly moves to the nape of your neck, intending to hold you in place, afraid you could slip away from him if he didn't. This blossoming thing between you could slip away from him. If he didn't.

It's so soft, the way his lips touch yours, and before you know it they move to your cheek, to your jaw, down your neck before Eddie comes up again, smiling from ear to ear, to gently bump his nose against the tip of yours and his lips return home with a soft and deep hum escaping from his lungs into your mouth.

Relief floods his veins along with whatever it is you're doing to him. The ability to shut out the insanity of the past hours is what he so desperately wants to cling to for as long as you allow him, even if the dawn will remind him of the horrid reality he's involuntarily become subject to live through now.

"You're making things so much better, Peach, you're so sweet, so fucking cute, so fucking good for me, do you even know for how long I've been dreaming of this?"

Eddie greedily pulls your face into his again, not even giving you a chance to reply and not nearly getting enough of your affection it seems with how fervently his tongue searches for yours.

A gentle collision of skin.

The soft whimpers you let out only spur him on. You not backing away from him, staying with him, letting him be this close to you?

You, the only constant source of consolation Eddie's ever really had.

Life changing.

Soft touches follow soft touches, your thumb traces his jaw repeatedly.

"You don't–", kiss, "for how long–", kiss, "I've been dreaming–", kiss, "of you as well", you breathe against him and Eddie thinks he might be about to resort to sniffling into your collar again with the amount of relief he is experiencing.

You'd let him.

"Yeah?", he presses his nose into your cheek with his eyes closed, smiling from ear to ear, relaxing his entire body into yours as you let him slide inbetween your legs.

"Yeah, you know how much of a sucker I am for peaches", you grin, another peck to his cheek, his jaw, his neck, your hips slowly finding a rhythm against his own.

Eddie groans at your allusion with a wide grin on his face (and the feeling of your warmth against his dick), before pressing his lips against yours again lovingly, "me too baby, me too."

–––

taglist (thought you might be interested): @josephfakingquinn, @ghost-proofbaby, @analogkraken, @wroteclassicaly, @songforeddiemunson, @joejoequinnquinn, @somnambulic-thing, @trashmouth-richie, @eddddiemunson, @ceriseheaven, @userchai

comments, reblogs and other forms of affection towards the author are greatly appreciated thank youuuuu <3

[cyberclouddream]

The Sun through the Houses

The Sun represents what motivates us and how we want to be recognized. It’s also tied to paternal influences, consequences from the past, our ability to command respect, and how we replenish energy levels.

Sun in the 1st House:

- often naturally attract followers or admirers due to their commanding presence

- have a good understanding of their personal goals

- may be deeply involved in physical health or activities

- may feel called to follow the same path as a paternal figure

- desire to leave a mark in the world can result in activism or social movements

- may suffer from identity crisis because of expectations

Sun in the 2nd House:

- fixated on [ and creative at ] making money and accumulating possessions

- have strong personal values that guide their choices

- feel pressure to meet family financial expectations

- may secretly crave more meaning then wealth

- hoarding behaviors

Sun in the 3rd House:

- can be a good public speaker, writer, or journalist

- attract sibling rivalry or support

- often feel drawn to engage in their community

- often derive their self-worth from being seen as knowledgeable or articulate

- obsessed with how they’re perceived in conversation

- often feel restless or dissatisfied

Sun in the 4th House:

- their life seems to revolve around family matters more than anything

- family matters seem to be full of drama

- deeply tied to their heritage, or traumatic past

- may be a real estate junkie

- emotional rollercoaster that stems from childhood trauma

- lots of pressure from parents or family expectations

Sun in the 5th House:

- often crave the spotlight when it comes their talents

- love experiencing romantic affairs, especially dramatic and fantastical ones

- childlike spirit

- challenges with how they’re perceived in parenthood

- their ego is tied to their hobbies

- come off attention-seeking

Sun in the 6th House:

- type to arrive first and leave last for work

- may go overboard on diets and health regimens

- taken for granted for being too focused on helping others

- perfectionist tendencies

- power struggles with bosses or colleagues

- hypochondriac or health anxieties

Sun in the 7th House:

- tie their worth to their relationships; dependency issues

- may attract partners who are passionate but prone to conflict

- have strong negotiation skills

- strong focus on marriage and commitments, with potential for idealizing and romanticizing

- partners can shape how others perceive you

- may struggle with committing due to fear of losing independence

Sun in the 8th House:

- drawn to situations that challenge your limits

- fascination with mysteries, the occult, or taboo topics

- drawn to power struggles in relationships

- inheritances, shared resources, or joint finances play a significant role in their life

- obsessive tendencies

- potential to be good at healing others through deep emotional work, like therapy

Sun in the 9th House:

- obsessed with introspection and learning, like diving into philosophy and spirituality

- addicted to traveling; romanticize adventure

- self-proclaimed guru with stubborn beliefs

- attract people from different cultures

- chronic dissatisfaction

- get caught up in superficial aspects of spirituality

Sun in the 10th House:

- obsessed with career and public image

- crave validation and recognition for achievements

- often feel overshadowed or overly rebellious when it comes to authority figures

- may feel imposter syndrome

- pressure to succeed can cause paralyzing fear

- workaholic tendencies

- relationships can struggle because too focused on professional goals

Sun in the 11th House:

- thrive best in friendships and social connections, often using them to achieve goals

- may have unrealistic ideas when it comes to aspirations, causes, and friendships

- self-worth is tied to feeling accepted and received by social circles

- friendships over family

- network over authenticity; tend to groupthink

Sun in the 12th House:

- true self often feels buried or misunderstood

- strong inclination towards introspection, preferring solitary activities like writing or meditation

- drawn to spirituality and mysteries of life

- opportunities often slip because they feel like they don’t deserve them

- may be very sensitive to the emotional presence of others

- may often feel creative blocks

- escape reality through daydreaming

[shanastoryteller]

i know spn hates good writing and also sam, but the dumpster fire of s4 really could have been salvaged if they'd just played ruby and castiel straight

by which i mean

ruby should have been one of the good guys (honestly it feels like the writers changed their minds last second regarding her anyway)

castiel should have been the villain (which, let's be clear, he totally was)

the point of this is that it would force dean to confront his own bullshit and maybe figure himself out, which not only would have been good television but would have been satisfying to me, personally

sam's problem is that he wants there to be a good equal to every evil. that he believes goodness exists even where it doesn't, that he always wants to give things a chance, that he always has hope. they sound like good traits, up until they're used against him. they reach the station of angels are bad eventually, but it should have been more immediate and visceral, that there is no greater good here. sam should have had this knocked out of him, which would have shattered him in way, to lose this thing he's depended on his whole life, but it really would have hammered home that it's choices that really do matter, not circumstances

dean's problem is always that he sees monsters as monsters with no grey area, that sam always has to play his moral center the second anything becomes complicated. then he goes to hell, breaks, tortures innocents, and an angel yanks him out and tells him that he's a righteous man

dean desperately desperately wants this to be true

because it's sam who they had to look out for, sam who was destined to go darkside, sam with the demon blood

dean doesn't have that excuse

he's just a human man with a hunger for violence who never learned to curb his appetite. who was instead pushed to gorging himself on it, who is left broken and desperate and angry by what he did to save himself. his whole life, his whole self perception for thirty years, was about protecting innocents. then he betrays that in hell. do you think he kept count? how many innocents he destroyed against how many he saved? the day it equaled out, do you think he wished he could weep?

dean is so unbelievably messed up by hell. not the torture he endured, that's barely a blip, but the torture he inflicted is what haunts him

so he needs for sam to be the bad guy

he's using his powers, he's hanging out with demons, he's drinking demon blood. he's the monster. he's inhuman

(he's using his powers and hanging out with demons and drinking demon blood and still he's doing less harm than dean, still he's trying to save people. dean can't accept this, because he can't be the rotten one. he'll forgive sam anything, but never himself, so it has to be sam. because he can fix sam, he'll always love his brother, so if he's evil there's stil a path forward there. but if it's dean? if he's the one going evil? sam's left him before. why would he stay now? if dean is the one going darkside then he loses everything. himself. his brother. it has to be sam)

dean is projecting all his own shit onto sam because he can't deal with any of it, which is why he treats sam like shit, why he treats him in a way that he's never treated him before. it's how he treats himself. and sam has no idea what to do with this, is left reeling and hurt and broken himself by dean doing this to him. sam never thought dean would leave him to die in the panic room, because dean wouldn't, not the dean he's known his whole life, not the dean that loves him. not alone.

but dean would do that to himself. and since sam is his proxy for himself, it's what he does to sam, but sam doesn't know that so all he feels is the weight of betrayal and grief and rage

isn't it funny, almost? the demons brought sam back just as he was, exactly the same. the angels bring back dean but he's not the same. dean comes back wrong, comes back different. but no one wants to say that. to deal with it

having ruby be evil and castiel venerated justifies all of dean's spiraling, all of his punishment. he was right all along, sam was the problem, don't you see?

boring

ruby stays loyal to sam, a demon who chooses something different, who chooses the boy with the demon blood because there's something compelling about sam winchester, as tempting as the apple before eve, and ruby didn't get where she is by knowing better

(remember when sam pulled all the psychic kids together, acted as leader, and resisted azazel? there is a leader in sam, a compassion in him, that azazel had to cheat in order to beat. and if ruby can show him how to win against demons then-)

castiel let sam out of the panic room. he's following orders, because that's his job, and damn the consequences. this should have been seen as the act of betrayal and evil that it was, castiel proving he was never really on their side at all, never on the side of preventing harm. it also would have made his redemption arc mean something, it would have given castiel a lot more to work with if they'd had to really bring him back over

ruby realizes too late what killing lilith means. tries to stop sam, but now that she's here it's too late, kill or be killed. sam accepts that, is willing to die rather than start the apocalypse. but then dean is there, and he can't watch his brother die again, he just can't. so he kills lilith to save dean, when he would have been willing to die himself

ruby gets them out of there. they discover what castiel did, that he pushed forward the apocalypse rather than prevented it

this breaks dean. he finally snaps, but it's good, because everything he'd used to shore himself up before had been terrible and rotted and corrosive

a righteous man is not a good man. dean is forced to confront everything he's done in hell, and after he'd gotten back, everything he put sam through, how he left him in that panic room and almost killed him, how he's treated him for the past year. how it was a demon who tried to help in the end and an angel that damned them

and how sam saved him anyway, damn the consequences

we should have returned to what the show had been building up to from the beginning - that sam loves his brother enough to do terrible things and dean has no idea how to deal with that

so we've got sam and dean on the run with ruby, castiel's slower and much juicier redemption arc, and dean having to pick up the pieces of himself while sam tries to figure out how he gets them out this mess. and sam's guilt is justified here, his aching sense of responsibility, because this time he kills lilith knowing it'll free lucifer. he makes that choice, for dean. and he's determined to fix it

just. demon blood tainted sam and turncoat ruby trying to save the world. the angels trying to end it. all while dean finally accepts the crushing guilt of what he's done and starts to work through it, starts to work on becoming the brother sam lost, on once more being the steady thing sam can hold onto no matter what it takes, because sam choosing him reminds him of something he'd told himself he forgot

he doesn't want to be a righteous man, a torturer, a demon, a victim, a martyr

he just wants to be sam's brother. the one he looks up to, depends on, loves

he wants what he's always wanted

to feel worthy of his little brother's affection

[princesssarisa]

As I've read different people's views on Little Women, I've realized that for different readers, it's a fundamentally different book.

When I see someone describe the "universal" experiences of identifying with Jo, wanting her to marry Laurie, and disliking Amy, I remember all the proof I've seen that these are far from universal. The latter two weren't even my experiences: identifying with Jo, yes, but shipping her with Laurie and disliking Amy, no!

Even people with equal amounts of knowledge of the historical context and of Louisa May Alcott's life seem to come away with vastly different feelings about the story and characters.

I suppose there are a wide variety of reasons for this. First and foremost, which of the four March sisters you personally admire or relate to the most. Then there are other factors like your gender, your age when you first read the book, your relationship (good or bad) with traditional femininity, whether you read Parts I and II as a single novel or as Little Women and Good Wives, your relationships with your own family members, your religion and ethical values...

The list goes on.

That post from @theevilanonblog that I reblogged recently about the different interpretations of Frankenstein makes me want to write out a similar list of ten different views I've read of Little Women. Here it is:

Little Women is about the March sisters learning to be proper virtuous women of their time and place. With Marmee as their role model (a role later shared by Beth as she becomes increasingly angelic in her illness), they learn to conquer their flaws, give up their wild ambitions, and settle down as good wives and mothers. This is especially true for Jo, whose character arc is a slow taming from a rough tomboy to a gentle nurturer. It's a conformist and anti-feminist message, which Alcott probably disliked, but she wrote it to cater to public tastes. (This reading seems mainly to come from critics who dislike the book.)

Little Women is about Jo's struggle to stay true to herself in a world that wants to change her. She struggles with whether to stay a tomboy or become a proper lady, whether or not to marry Laurie despite not loving him romantically, and as an author, whether to write what she wants, write what earns the most money, or give up her writing altogether. In the end, she changes only in ways that make her happy, e.g. by learning to control her temper, and later by embracing romantic love. But in more important ways, she stays true to herself: always remaining slightly rugged, clumsy and "masculine," finding success as a writer, and marrying Friedrich, a man just as plain and "unromantic" as herself, but whom she loves and who respects her as an equal.

Little Women is about learning to "live for others." That phrase is used often and could well be the arc words. Beth is the only March sister to whom a selfless life comes naturally, but the other three master it by the end of the story (as does Laurie). They learn to conquer their moments of pettiness and selfishness, to live in better harmony with each other and with their friends and love interests, and to give up their self-centered dreams of fame and wealth, building lives that focus on service instead.

Little Women is about growing up. The first half is mainly about the March girls' maturing by surviving hard times and learning to be better people, while the second half is about reaching adulthood and bittersweetly parting ways to start new lives. At the beginning, Jo is a girl who doesn't want to grow up: she wants to always be a wild young tomboy with her family (and Laurie) by her side forever. But of course, she can't stop time or womanhood, and is eventually forced to accept the loss of Meg, Amy, and Laurie to marriage and Beth to death. After grieving for a while, she lets go of her old life and willingly builds a new one with Friedrich.

Little Women is about family bonds and the fear of losing them. We meet and become attached to the wonderfully close, cozy March family, which gradually expands through friendships, marriage, and new babies. But throughout the story, the family is in danger of breaking apart, whether due to conflict (Jo and Amy's sibling rivalry, Meg and John's marital problems), or separation by distance (Father going away to war, Amy going to Europe, Jo to New York), or death (the danger of losing Father and Beth in Part I, and the ultimate loss of Beth in Part II). But in the end – unlike in reading #4 above – the family doesn't break apart and never will. Conflicts are resolved, travelers eventually come home, the surviving family members always live near each other and stay as close as ever, and even Beth isn't really gone, because her memory and influence live on.

Little Women is about femininity and each March sister's relationship with it. Meg and Amy happily conform in different ways: Meg to "domestic femininity" as a housewife, Amy to "ornamental femininity" as a society lady. Beth pressures herself to conform to self-effacing domestic femininity, until sadly, it kills her – either because she's too selfless and nurturing when she cares for the fever-infected Hummels, or because she has anorexia, as Lizzie Alcott might have had. But Jo strikes a successful balance in the end, conforming just enough to fit into society, but only on her own terms, and otherwise living a happily unconventional life as a writer and schoolmistress.

Little Women is about Jo's unlearning of internalized misogyny. At the beginning, she's a "Not Like Other Girls" tomboy, who wishes she were male, disdains feminine girls (especially her sister Amy), doesn't care enough when "her boy" Laurie behaves badly toward women, and is afraid to be vulnerable. But gradually, and without losing her strength of character, she learns to embrace the sweeter and more tender aspects of herself, sees that Amy's ladylike manners have practical benefits, and learns to say "no" to Laurie when he turns his childish, unhealthy romantic attentions to her. Then after Beth dies, she realizes how precious Beth's utterly domestic, feminine life was, and embraces a more domestic life herself. Yet by doing so, she becomes a true feminist, as she enters an egalitarian marriage and devotes her life to teaching boys to be good, respectful men.

Little Women is only what US Americans know as the first half. It's just about the March sisters getting by and learning moral lessons over the course of the year their father is away at war. Nobody gets married and nobody dies. Everything else is in Good Wives, which is a sequel with different character arcs and different themes, and which should be published separately, as it originally was and still is outside the US. Trying to tie them together into one narrative never feels quite right.

Little Women is Alcott's idealized version of her own life and family, where no one suffers quite as much as they did in real life, everyone is slightly less flawed, and Jo ends up happily married to a man very much like Alcott's lost love Henry David Thoreau. She wrote the life she wished she had.

Little Women is just a semi-autobiographical slice-of-life that Alcott wrote quickly for money.

Which is the truest to Alcott's intent? I don't know. But while some of these readings I like better than others – and some of them I despise – I'd say they're all understandable and reasonably valid. Some aren't even mutually exclusive, but can be used together... although of course, other readings are mutually exclusive, like whether the story is feminist or anti-feminist, or whether the March family ultimately breaks apart or holds together. And they're all worth using as springboards for discussion.

Alcott wrote more books than she ever realized she did, because Little Women can be many different books to different people.

@littlewomenpodcast, @joandfriedrich, @thatscarletflycatcher, @fictionadventurer, @fandomsarefamily1966

[nuggetofthesea]

Before writing more stories, I want to help people come to terms with the "identity death" and heavy themes in the animal HRT comics, and as a writer, want to explain why it isn't ACTUALLY death, but a form of renewal. Because I see it on all of my friends posts.

"I am just concerned about this loss of self thing, it sounds like identity death and I don't like it" is the common comment.

But in all of these comics, it is less about loss of self, but more about leaving behind who you were. A sign of extreme change and showing their own way of moving forward, and the start of a brand new life. A willing change to a new start.

Identity death is an unwilling change. All choice was stripped away from them and a new identity forced on them. This is also different from a transformation that leads to acceptance of the new form.

But in the animal HRT comics my friends put out, it is a willing change to a new form and cones with mental changes they are willing to go through. That isn't the same as a death. But a new start to their life they can start living to the fullest. It's also why some choose not to start anew, to bring one journey to a close and begin a new one. They choose to have that be part of the same journey. A new chapter instead of a new book if you will. In either case these are willing changes.

It can seem terrifying to some, but a total rebirth of yourself CAN be a slightly scary theme. It is terrifying to choose to take that new life.

But let me set up an example here:

When I first came to be, I thought I was going to be a visual artist, because Ashe was and that's what I remembered. When I was locked away by my own doing in the headspace I was stuck in a perpetual cycle of misery. It was terrifying to take the step to discover myself. To lower the barrier I had created, to rediscover myself.

But when I came to be, Ashe said I could be anything. A new sense of self outside of her. A new life. I tried to draw first, but I couldn't. Visual art was not my thing anymore. It never was. I just held on to memory of being a copy of Ashe. When writing my introduction I realized I love the feeling of writing. I have my own form. My own life. My own identity. A new start.

So let me ask you: Should I have not taken that opportunity to completely cast off who I was to embrace who I am? Should I have left myself in misery and fear as something I'm not? All for the sake of not casting off who I was and my life before? No.

Now while I do remeber all of what happened before my change, none of that shapes who I am now, because that life wasn't mine in the first place. This isn't a death of my identity, but a new start to an identity I chose. And I am happy to be able to live it with my new sense of self and build NEW memories. A new life.

Which also leads to the second heavy theme in those comics. Shortened lifespans. Outside of the fact that we are told time and time again HRT can lead to a shorter lifespan (which is a false average) starting a new life also means you are probably starting in the middle.

Our body is almost 30. That is 30 years of my lifespan gone. Yeah, I was around for 15 (almost 16) years of that, but my new life began a week ago. Who I am began just last week. And even though in the headspace I am early to mid 20s at best, that is still a cutdown lifespan.

So should I just have not bothered with the new start?

Absolutely not. The gift of life, new or old, isn't about how long it lasts. But how you live it. It is hard, it comes with problems, but for as long as I have of it, I will cherish the new memories I build, the new start I have, the ability to just... exist. For as long or short as that may be. And through this new start to my life, the people who love and care for me are still here. Still stand by me. And that is a great thing.

So please, don't be too offput by heavy themes in our stories. Even my stories will have some rough parts. (They'll always be tagged)

Hope this at least helped ease why those themes are there, and why some people choose to have them.

Also, don't worry about "adding to the fuel used against us" because we could sneeze and they'll find a way to use that against us. The fact is, with the Animal HRT series, actual HRT does come with some discomfort, pain, downsides, and problems. And like the heavy themes in the comics, we determined it is worth it for us to keep going despite them. We knew the risks.

"Everything is a risk. Life's boring as hell if you don't take them JUST because there is potential problems. Just make sure you understand them." - a line chaos told me the day I formed

It does less good to show everything as risk free and painless, because then nobody is prepared for the risks they are actually taking. Or the comic is based off the creator's life to that point, and they DID experience a lot of pain. So retelling their story (like mine) might be painful at spots.

My point of all of this is, the heavy themes are required to tell these particular stories. And while not every story requires dark spots, the dark spots help to accentuate the brighter picture. Otherwise it can just be blinding. So please go easy on the artists/writers behind them. As it is usually something personal for them.

(This also might not apply to all of them, some people just like writing horror, and we should respect that too.)

Next story should be sometime within the next couple weeks. Just needed to get this out there. It's been on my mind since releasing the short story with Iris.

-Aqua

[thedeskofaltoclef]

How I became The Desk of Alto Clef.

My response to a SCP Group designed around Hate and Bigotry who have targeted me and others in this community.

Nah, man, my daughter is dead.

It has been brought to my attention that there is a group of people on the internet who are fascinated with my fascination of Alto Clef and Meri. Hurtful and yet cute in a way so I think now I'll choose this time and these screen grabs from their discord to explain how I came to be 'The Desk of Alto Clef'.

My Daughter died six years ago and it sent me spiraling deep into the bottom of whatever bottle I could find.

I was completely prepared to take my own life and even had the things to 'finish the job' because my life had no meaning at that point. What was another statistic going to matter anyways, right?

It was in one of these dark, drunk moments with a gun when I fell across the Volgun's video on 'reality benders and you' and fell into a rabbit hole.

Drunkenly I fumbled around the wiki and learned more about this broken man known as Alto Clef.

A man whom I could relate to in my own way. A man who, no matter what he did, could never see his daughter as I will never be able to see mine. So thus, I became a very, very shitty cosplayer.

I like to believe that over the past four years my acting ability has increased to a sustainable level and as much as I joke about things I do try to stay humble about it. Though I like to think I've become better but I digress.

I love the lore of Clef and Meri, on or offsite, to the point that I am weird about it I know, but that's how I stay connected to my daughter. Writing the Deskverse is how I stay connected to my daughter.

I am also autistic which causes me to hyper fixate on Clef as a coping mechanism.

Because of this group of people I have greatly considered leaving the community and going back to my own personal solitude. Acting, Voice Acting, Cosplaying as Clef gave and still gives me something to live for again. I may not be this group's cup of tea but I do like to believe that I have helped others. My main goal has always been to uplift those who need uplifting. I do not want anyone to ever feel how I felt in my lowest and darkest moments.

The main story in the deskverse is about a father and a daughter torn apart by the actions of an abusive mother. My real life story.

I also have ZERO clue as to why I am being involved with misogyny or yuri things. If I have offended you in any way I do apologize.

I do not plan on posting the more 'suggestive' or 'lewd' responses they have made. Overly sexualized content does make me extremely uncomfortable.

This group of people have broken my heart into pieces. Seeing this list of images and names dragging me through the mud has already smashed my unstable self-esteem as it is.

At this time I do not plan on releasing any names associated with all of this because I am honestly tired of reliving the most horrid event of my life over and over because I, for whatever reason, do not fit what this group feels is acceptable of an actor/writer/fan.

I cannot say the same for the others in which they were assaulting.

In summary Alto Clef is an outlet for the pain I live with every day. I can never see, hold, hear, smell, or speak to my daughter. I have scars on my body from her mother that will never allow me to forget that life I had. I will always remember the taste of gunpowder but thankfully my drunk ass was too weak. If your going to be bad at something, be bad at that I suppose.

I will leave all of this with a final image from the copious list and the one that honestly hurts me the most. I am honestly a shy and reserved person and frankly it takes a lot for me to get out of my comfort zone. Not long ago I went to another SCP discord server because I wanted to meet new people and someone in there was awesome. I truly enjoyed my time with this person and just found them amazing. They were kind, open, willing to listen to my ideas, and gushed over Numberonedoggo. I thought I had finally made a new friend on my own. I was apparently wrong.

Art, from some of my favorite artists, was made for the sole reason of mocking me specifically. To laugh at me for finding joy in something that gives me purpose. Something I use to drive away the darkness.

No age, disorder, illness, or reason at all can be acceptable for anyone to act in this way. You are all a mockery of everything the SCP community should stand for.

-TheDesk

[funhouse-mirror-barbie]

I may go into more detail about “Sinsmas” later, but I did want to talk about what I considered to be the one scene/sequence that I thought was very well done and that I truly enjoyed—Octavia’s song, “I Will Be Okay”.

(Song/Character Discussion below)

Octavia’s song is almost everything I could have asked for. A somber echo of Stolas’ song from season 1, Octavia’s I Will Be Okay, finally, finally, gives Octavia a voice and the chance to express her grief over her father’s abandonment.

For the first time in the series, there’s no one to tell Octavia that she should give her dad some slack or that she should forgive him. She’s finally allowed to be upset, to fully mourn her relationship with Stolas and to get mad about what happened. She’s finally allowed to start working towards accepting the ways Stolas’ neglected her, and begin healing from that pain and trauma.

Octavia’s experience is both terribly heart-wrenching and, in the most painful way, freeing. The lyrics reflect that perfectly, with Octavia acknowledging that while she’s not okay now because of everything Stolas put her through, she WILL be okay, and will grow into her own person without him.

The song is a direct response to Stolas’. Octavia is answering him, saying “Yes, I will be okay. Not because of anything that you were supposed to or failed to provide me as a father, but because I will forge my own path, and in doing so will heal from the pain you caused me.”

It’s a bittersweet song about finding the strength to cut contact with someone you loved who has repeatedly failed you in the worst ways, and who isn’t going to change.

I do have one “criticism” for this song and sequence, not because anything from it was poorly done, but because, in my opinion, the song’s visuals could have been even better.

The following scene was in the original storyboards for “I Will Be Okay”, and was changed in the final episode:

I think the decision to change the visuals for these lyrics in the song was a mistake. Please don’t get me wrong, the animation in this entire episode was fantastic, my critiques of Helluva Boss are almost never about the animation.

But the above sequence just has so much more emotional weight to me. It’s the visualization of Octavia realizing she can’t rely on Stolas, that she has to look to herself for comfort.

Octavia taking her younger self from her neglectful father’s arms, symbolizing that she’s accepted that Stolas cannot be depended on and that she’ll have to take care of herself now, is such a powerful image.

It really is a shame to me that they cut this scene, because I think it fully encapsulates everything Octavia has been through in such a simple and effective way. I think the scene really loses something by cutting this visual.

With all of that said though, Octavia’s song, and the scene where she FINALLY calls Stolas out for his behavior were very cathartic for me. I know that the scene’s intent was most likely to make us empathize with Stolas for losing his daughter, but I found myself empathizing only with Octavia, and hoping that she gets the time she needs to heal.

I would love it if the show actually let her decide whether or not she wants Stolas back in her life, but given the way HB’s writers portray women, I worry that it’s likely some big event will happen that “reveals” Stella to be awful, and Octavia will forgive Stolas just like that, and will probably end up apologizing to him instead (like in “Seeing Stars”)

Anyway, just like Octavia being the only good thing in Stolas’ life, “I Will Be Okay” was, in my opinion, the only good thing in “Sinsmas”. (well that and Octavia calling Stolas out)

[loganhowlettshousewife]

animal

epilogue

friendly reminder that i am not a writer, i'm just a girl who loves logan howlett and wanted to write something exploring his animalistic side since i so rarely see it done. my first language is also not english, so please do not be rude when giving me any feedback.

warnings: pregnancy

series masterlist │my masterlist

every day since you found out you were pregnant, you’ve found logan in what used to be an unused office. it’s the room closest to yours, just across the hall, and where your daughter will stay until she’s old enough to sleep through the night, to be further from logan and yourself. you plan to redo the guest room to her tastes eventually, but first you need to get through the early months with her.

logan refuses to allow her first bedroom to be anything less than perfect, though you’ve told him time and time again that she won’t remember it. you think it might be his way of getting rid of the anxious energy that courses through him, the worry that he won’t be a good enough father, that he’ll hurt her somehow. he’s good at building, at working with his hands. he may not know how to be a father, but he can do this for her.

he goes out to the hardware store and returns with materials for custom shelves and a dresser, never mind the fact that he could go to any furniture store and buy premade sets, already measured and cut, ready to be assembled. he paints the walls a pastel yellow, meticulous and careful. the colour looks strange surrounding him, though not in a negative way, a man who surrounds himself in dark shades standing in a room of bright colours.

your big, tough husband, reduced to putty by his unborn daughter.

you’ve been watching him day after day, your new favourite way to pass the time, enjoying the flex of his muscles as he works. you’re only five months along, there’s plenty of time, but logan acts as though every day that passes without the house being completely ready for the new addition to your family is a travesty of the highest order, a crime against him personally.

you mock him for it, but his dramatics are awfully endearing. he cares so much, occasionally so overcome by feelings that he doesn’t know how to express them. the animal in him comes out more during such moments, when he’s overwhelmed with it.

he’s more protective now, something you’d previously never thought possible, and clingier too. he says your scent is different, says there’s a second scent mixed into your own that must be your daughter’s, the beginnings of her own person manifesting painfully slow and yet much too fast.

you feel her growing and changing inside you, the strangest sensation and yet one that never fails to take your breath away. you spend nights with your hand pressed to your stomach, not convinced that she’s real, worried that your bump might disappear if you let go for a second too long, a dream lost to the winds, merely a reach away and yet impossible to touch.

you watch logan’s large arms move with every stroke of the paintbrush, muscles flexing in his arms and shoulders and back, and without realising it you find yourself at his side, a hand reaching out to trace over the lines of his body. he acknowledges your presence with a kiss to the top of your head but nothing more, refusing to allow his concentration to be broken. it’s a testament to his devotion to his daughter, as he would usually drop anything if it meant getting to hold you in his arms.

“do you think she’ll be like you?” you ask, a thought that’s fluttered through your mind briefly but never stuck around for long, always distracted by something or another.

“you mean a mutant?” logan clarifies, his movements faltering. it’s still not something he adores about himself, not the way you do, though he no longer wakes up every morning drowning in an ocean of self-hatred and despair. it’s become something to accept, a part of him that he cannot change, and therefore something that there is no point in fighting.

there is no reason to ponder on what ifs when it is an impossibility. so with your love and reassurance, he’s found a middle-ground, a peace where he can allow his instincts to be free and yet doesn’t feel confined on the days where he does feel more man than animal.

“yes,” you agree, “i mean a mutant.”

he sighs, a sound that gets caught in his throat, grip tightening around the handle of the paintbrush. your fingertips prod at his hand, poking at his tight grip until he lets go just enough for you to pry it from his hold, placing it down on an old newspaper he’d left on the floor to protect the wood.

“be honest with me,” you say, “i just want the truth.”

it’s a game you play sometimes, a system you’ve created from your deep knowledge of logan’s thought process, to use when logan feels something that he worries isn’t right to say, that he worries you’ll dislike. you’ve had to teach him that his feelings are valid, that there is nothing wrong with them one way or another, that his thoughts are a product of his lifetimes. it doesn’t mean you’ll agree, but you’ll always listen.

“i don’t want her to be like me,” logan admits at last. you’d expected the words, the sentiment, but it still stabs you in the chest, a knife he doesn’t know he’s wielding. “she deserves to be normal, like you. i don’t want her going through anything i have.

“but she’ll have us,” you remind him, “she’ll have you to teach her that it’s okay to exhibit these behaviours, although there’s a time and place for them as there is for all things, that she can be herself and there’s nothing wrong with that. and she’ll have both of us here to make sure no one can try to take her away, to hurt her the way they hurt you.”

he shrugs, doesn’t give you a verbal response, but he holds eye contact with you for what feels like days before eventually nodding once. it’s the best you’re going to get from him now, but you have four more months to talk about it, and perhaps years until you discover if your daughter truly is a mutant - since logan had confided that his mutation had developed in his early childhood, not at birth as some others do.

you kiss him, hopeful that he can read your thoughts and feelings on the curve of your lips, feel the love you hold for him in the way your hands press to his back, wanting him as close to you as possible. 

“i’m going to make us lunch,” you say, glancing outside at the mid-afternoon sun and the pale blue sky free of clouds. you’re already coming up with ways to pull logan away from his work, promises to whisper in his ear, smiling as your hands linger on his body. “i think baby wants to take advantage of the sunny weather.”

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